Darren Dreger sits back, trying not to look too jowly, in his faux European cafe. Darren Dreger wants to be someone important by casting aspersions, or stirring the shit, as he might say. He wonders aloud if there is a rift between Coach Mike Babcock and Auston Matthews. Babcock replies with civility because that is the business. But the truth is that Dreger’s methods – TSN’s desire for ratings – are nothing more than muck-racking. This tendency in sports journalism is nothing new – noted for its low bar – but why can’t it be hosted in a place where we will all get the point, loud and clear?
Buffoon is a comic adventure script that follows Harl, an Englishman, on his search through Europe for his doppelgänger.Harl’s poor language skills (“Tutti vestiti!”) and his meeting with a Werner Herzog doppelgänger in Prague marks the beginning of the hijinks to follow.
Or is this too much like Butch Cassidy and the Sundance Kid?
I won the Q107 SuperSet Competition as a 15-year-old with my entry “The Greatest Emotions of man” which included David Bowie’s Five Years, Led Zeppelin’s Celebration Day and Black Sabbath’s Iron Man. The idea of the Q107 Superset was to create a set of songs and see if the radio station would play it. And, yes, my high-fallutin’ concept of being sad, happy and mad won that night. I couldn’t believe it. I might have even screamed and jumped up and down.
I went down to the station the next morning to collect my prize – my own album from the Q107 collection – and was directed into a drab office by an indifferent secretary to pick something out of a cardboard box. “Take whatever you want.” I flicked through the discards – the telltale rectangular notch in the upper right corner – and begrudgingly took something yellow. It was as I descended the cement staircase that I realized that there was an emotion I had neglected to cite – disappointment – but there were no songs for that.