Anori: Receiving Editor Notes

It took me two weeks to open my editor’s email. Even then, I was only able to scan them and fixated on one line: This is the point where my growing frustrations would cause me to close the book and not pick it up again. WTF?!?

The opening remarks were positive: I really love this book. So much of the writing is fantastic—clear, evocative, and crystalline. Dee is such a great character! And then…a descent into what he really wanted to say: The tone of the novel, as I’ve mentioned, is at times difficult to discern, at times seeming like realism, other times satire, and others as purposefully surreal.

I still haven’t been able to read all of the notes. It’s like a mild form of PTSD. I mean, I understand the essential problem is the narrative bouncing back and forth between Greenland and New York. What I wanted to do was to emphasize Dee’s indecision, but the audience won’t have it because she needs her motherfucking arc/ark.

I am getting to a point where I can call my editor and talk about it. I’m almost ready. Soon.

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