Florida Keys: After Hurricane Irma

Four months after Hurricane Irma, the Florida Keys are still covered by the detritus of the storm. Although many residents have returned, abandoned homes are still a common sight. Big Pine Key, the worst hit of the keys, remains cluttered with boats, refrigerators and motor homes. And yet the Key Deer, an endangered species, seem to be as plentiful as ever. 

Make Up Your Mind, Stubhub!

Stubhub messed up. Sold me tickets for the Inter-Milan Derby and then didn’t send anything. After three weeks of emails and one hand-written letter later, I got this: And then I got this: Not sure what it all means.

Roman Vespas

When you are stuck Just park it And leave it So that you can get back to it When you can deal with it

Airport Hell: Cutting Lines

There are the lines for check-in, lines for security, lines for identification, even lines at the duty free. But if that’s where you’re going to dilly dally, buying booze and chocolates, don’t try to cut the line for passport control because now you’re late for your plane. You’re not as important as you think. Especially if you’re looking for deals at duty free.

That CNN Hurricane Guy

Why does he stand out in the rain? Is it to help the man with the three-legged dog get safely home? Or is it just to say he did?

Chasing Down the Apocalypse (Eclipse)

The New York Times hyped it like crazy. So did my friends. “The eclipse is the thing, man. We gotta go!”

I thought little of it until I was driving home to Toronto and, on a manic whim, instead of sticking to Interstate 80, I veered down 81 toward Virginia and the eclipse.I calculated that I could get as far as Roanoke, Virginia, which I learned through my app would have 92% coverage, and that sounded like something indeed, far more intense than 84%, which is all I would have had if I stayed my course.

Electronic signs began to appear at the side of the road. Solar Eclipse today 12-4pm. No stopping on shoulder or ramps. The interstate was heavily traffic, trucks lining the right lane as far as I could see, but it seemed right. We were all journeying down together, a convoy, to see this astronomical event. I listened solely to Off the Sky, brooding electronic music, perfect for the approaching darkness. I reached the Virginia border, only 234 miles to Roanoke. Only. Ten minutes later, I realized that was well over three more hours of driving which meant another three hours back. I was getting in deep. I focused on the music and the historic moment to come – the sky darkening, animals scattering, humans collectively moaning. It was going to be something, to be sure.

I gassed up less than a hundred miles away, ready to talk to the cashier about the moment to come, but she and a man from Texas were talking in amazed terms instead about the cost of cigarettes in New York. “$15?! That’s two meals for me! Who would be dumb enough to pay that?”

Back on the highway, it got suddenly dim. I looked up. Just a cloud. I drove madly – I needed as much coverage as possible! – until 2:35, five minutes ahead of the full 92% and pulled into a gas station. A van pulled in and two bikers. I looked up. The sun looked the same. I went into the store and bought a can of Chipotle Pringles. The woman looked tired, bored, completely uninterested in this remarkable event. I went back outside. The light began to dim. It cooled quickly, at least 10 degrees below the high of 95. Two people came around behind their van and donned polarized glasses and looked up. Another took a picture of them. “Eclipse!” I looked at my watch. It was 2:41. It had passed. Had I missed it? I wasn’t sure. I was going to borrow their glasses but was afraid they might be the unsafe kind and so looked into the sky again. It was getting hotter, brighter. Yes, it was over. It was eleven hours – a eight-hour detour in the end – to get to Toronto. I listened to nothing for a while, just the tires clicking over the asphalt. And I thought about the next eclipse, only seven years away. I can hardly wait.

Anne Imhof’s “Faust”: Weird and Not

Anne Imhof’s “Faust”, German’s 2017 entry at the Venice Bienalle, offers little on the surface, except the surface.
It’s more about the people watching than the performers – all the legs passing by.And the arms and hands. And then it is high above on a glass platform.

And that’s just weird.