In the continuing quest for inspiration in writing my science fiction book Aqaara, I was recommended the graphic novel series Saga by Brian Vaughn and Fiona Staples. I was most interested in its apparently profound treatment of sexual themes and imagery, and yet was disappointed to realize that it is neither thought-provoking nor titillating. The work is nothing more than a morass of simplistic morality propped upon a landscape of superficial sexuality in which – surprise! – a transgender character recently appears. The story-line is vapid, the dialogue interminable to say nothing of the farcical content. But worse of all are the references to the authors’ own process themselves, their love of books and killing off their babies. Which they never did and really should have.
What one must aim for in the struggle to control the desires was the condition of “ethical virility” according to the model of “social virility”. In the use of male pleasures, one had to be virile with regard to oneself, just as one was masculine in one’s social role. In the full meaning of the world, moderation was a man’s virtue. To be immoderate was to be in a state of nonresistance with regard to the force of pleasures, and in a position of weakness and submission. In this sense, the man of pleasures and desires, the man of non-mastery (akrasia) or self-indulgence (akolasia) was a man who could be called feminine.*
*Taken with a grain or two of salt.
Anne Imhof’s “Faust”, German’s 2017 entry at the Venice Bienalle, offers little on the surface, except the surface.
It’s more about the people watching than the performers – all the legs passing by.And the arms and hands. And then it is high above on a glass platform.
And that’s just weird.
Part of the discovery made at Pompeii, the city entombed by ash in 79 AD, a collection of over a hundred objects was found. Many causing offense to common morality of the time, the Cabinet of Lewd Objects – then called more gracefully Cabinet of Reserved Objects – was walled in 1852 so that its memory would be dissipated. In 1860, Giuseppe Garibaldi proclaimed himself Dictator and re-opened the collection for cataloging. In 1931, during the triumph of fascism, the Ministry ordered again its closing, after which, in 1972 it was opened for visitors. The collection is composed of vases, frescoes and mosaics with erotic scenes, little ithyphallic (figures with erections) statues with fauns, midgets, grotesque caricatures, tintinnabula which are wind chimes that have penises with magic powers against misfortune and evil eye. (English translation of Eros in Pompeii: The Town of Venus)
I got a try-out for a swimming part in a film and found myself alone in the pool, playing basketball, making every shot. A woman appeared, slim and beautiful, and fouled me, keeping her hand on mine, and then I was trying to get the ball, and her suit was undone. More people arrived and I began to forget my lines, and was told as much in the long debrief, that I had started well and then lost momentum, and that there might be a next time once the group went on tour in Australia and New Zealand. I found my father, long dead, having a cigarette on the back patio and couldn’t understand what he was doing there. “I stay up to 11:00 every once in a while.” The dog was there too, and I confessed that it could speak, saying the same thing again and again: “Smoking again?” I felt bad about him being dead, stealing his wife, because she was so beautiful and now all mine.
Ah. (Pause) When I was young somebody told me, are you ready? The rich copulate less often than the poor. But when they do, they take more of their clothes off. Years. Years, mind you, I would compare experiences of my own to this dictum, saying, aha, this fits the norm, or ah, this is a variation from it. What did it mean? Nothing.