I love it when it’s possible to (explore transitions between songs). That’s something that I am better at than I am at other things. That’s one of the things that I am good at. Eventually, like, if I have a place to go, eventually, I can get there and make it pretty seamless. Because for me, the relationship between one thing and the other is always obvious. You know what I mean?
Even if it’s completely invisible to everybody else, to me, it’s always really obvious, and all I need to do is know both halves and eventually I’ll find a place that works, the walk between the two. Like Weir sometimes does it, but has sort of a blockier notion, you know? Which is okay. But for me, I like that invisible thing. I like that sleight-of-hand approach. (Excerpt from Petter Conners’ Cornell ’77)