I have written in a variety of formats – non-fiction, short story, novel, screenplay, poetry – and learned gradually that my form is the narrative trilogy.
An early novel, Faster, written in 1994, is an autobiographical piece centered on Buzz biking from London to Morocco. And while there was an arc, it was incomplete.The character was left hanging, adrift. And there had to be something next.
And so I wrote Through – Buzz now traveling across Canada with his young family. I knew almost immediately that the work was a bridge to something else.And Out was clear from the outset, Buzz systematically losing everything he could – money, family, health – until there was nothing left, just Buzz, and that was the end. All of it together was Buzz, which became a template over the years, leading to my present work, the science fiction trilogy Anori.
The first draft of The Sacred Whorewas written in Paris (Spring, 1987) & Saturna Island (Fall, 1987). I walked down the road almost every afternoon to the lighthouse to see the passing Orcas and only ever saw the local seal. I wrote the second draft in the basement of my mother’s house in Toronto, printed it, after a mother month-long edit at my family cottage in Ahmic Harbour during the 1988 Canadian Election debate (John Turner, Ed Broadbent and Brian Mulroney) on a dot matrix that took over seven hours to complete. I wrote the screenplay in San Francisco after watching David Lynch’s Blue Velvet, as a housemate, Lisa, muttered, “That was just fucking weird”. The novel was my first and last piece accepted for a full read by an agent, only to have no response in the end.