The Super Hero: Obsessed With What We Are Not

I hate Superhero films. Hate them.

Where to even begin? Do any of these folks poop?

That might be an exaggeration. More to the point, they are like fast food. They might look and taste good, but they’re empty calories. They make people fat and stupid. And so that’s why I don’t like them, super-hero films that is.

Boney and dead

It was fine when we were kids and read them and then ran around in capes in the backyard, but these are adults who have bought into this nonsense. Not just heroes to the rescue but sexy smart-alecky kids in skin-tight outfits who care more about their followers than society.

Ready to save the world

Super heroes are clearly not the basis for a belief system. It’s time to get out of this terrible fog and get back to a more genuine spirituality, such as following a hockey team that never wins the championship.  

Finding My Sex

I made the commitment. It seemed the right thing to do. He loved me and I knew he was a decent person. The fact that he had been married for thirty years and was leaving her, coming out now, demonstrated all that I needed to know. I had taught his daughter in high school. That was how we met. But then I realized that I wasn’t a woman – after assuming I was – and was still pining for the idea of my college sweetheart’s breasts.

I told him I couldn’t go through with it. It’s true that I had waited until after the ceremony was over, which both his daughter and wife had attended. They were devastated. They had accepted his decision to be with me and now I had humiliated him. I apologized profusely. I had made a terrible mistake and couldn’t go through with it now. The daughter would not see me and I left the wife in tears

Writing Sex: Divine Sexuality

Apparently there is nothing harder to write than a sex scene. (Wink, wink.) It’s either Henry Miller’s sweat (“she commenced rubbing her pussy affectionately”) or Pablo Neruda’s honey (“I want to eat you like skin like a whole almond”). Nothing in between. And that’s where I aim to come in. (Say no more.)

Dee Sinclair is not just a sex worker; she is a performer. She is featured in my last four books – My Bad Side, Anori, Aqaara and Mina – and embodies what sex in literature should be. In the words of Nancy Qualls-Corbett, she is “the bringer of sexual joy and the vessel by which the raw animal instincts are transformed…and made sacred.” (The Scared Prostitute, Nancy Qualls-Corbett.)

As Dee puts it: You know what I’m good at? I’m very good at balancing at the tip, my orgasm looming, you know, on those tender little nerve endings. And just when I might slide off sideways, before I reach that moment, letting that go and pushing harder, I stop, all taut and stupid, clinging to this moment like it might go on forever and keep it like that, everything at the tip, holding my hips high.

I try to make it a long leisurely thing, really thinking like that, and then slide into my mania again, and all I can see is the sex, just the flesh, naked and depraved, everything like I’m a kid again, and I’m holding it, holding it, staring ahead, lost, my hands digging in, snapping ahead, missing the steps as I come out of a dream and finally give in.