I wanted a scene that demonstrated the military might of The Anori Project as Dee and the others collected animal specimens from around the world. And so I had a squad of soldiers save the scientists in Libya:
There were lights on the horizon, vehicles, and then a sudden pressure in her head, like she had descended thousands of feet, and then it reverberated out and was in the ground, dust rising up. She felt her knees buckle as she slumped against the wall. The militiamen moved quickly past her and inside the house.
Lt. Graham heaved Dee up by the bicep and pressed his boot onto Jamal’s neck.
“What is this?” Dee demanded.
“Fence has been breached,” Graham told Dee. “This one has a crew out there looking for something more.”
Jamal tilted his head, searching the street past the SUVs. “Where is this fence?”
“Magnets.” Graham opened the door of the middle SUV and pushed Dee and Robi in. “Payload secured.”
Regrettably it comes across as trite and requires far more exposition to work which interferes with the pacing of everything else. So it’s been left on the cutting room floor.