Editing Mantra: Don’t Muddle with Drivel!

The story has to be simple. That’s all there is to it. Kill all extraneous characters. Kill all unnecessary settings. Kill all musings. All of them. Kill them all, Kurtz! Get to the point. What is the bloody message? Stick to that and only that. Don’t muddle with drivel! Nobody cares. That’s the only mantra of the edit. And so Uncle Ralph is gone. He does not exist anymore in this book. The Dakota Roadhouse has been trashed too.

The trip down the west coast has been dumped. No visit to the Devil’s Churn. No game at Dodger Stadium and no climactic scene at the porn house up in the Hollywood Hills, as good as I might have dreamed it was.

Onward to Greenland.

Killing Babies: The Hell of Editing

The thing that I love about this scene from Anori is the senseless of it. Dee takes Apollo out for a walk in Lower Manhattan three days after a hurricane has ground the city to a halt and is stopped by a lone police officer for not having her exotic animal license; she is arrested and Apollo impounded.

The problem with the scene is that not only does it not help develop Dee, but it doesn’t move the story forward. And at page 10, that is a major issue. And so her release from custody, another baby of mine, is dumped too.

It is almost painful to have to kill a scene. Actually it is painful. It’s a damn shame. I mean, to have made something that works so well, and then to kill it? What a complete waste. That’s how it seems. And the book is the thing.