Utopia: No Place Like There

Utopia: No Place Like There.

a. Derived from the Greek, meaning no place or not on a map, the word was re-purposed by Sir Tomas More 500 years ago to mean paradise.

Utopia: No Place Like Thereb. Modern-day Utopian stories are usually revealed to Dystopian: Forbidden Planet, Logan’s Run,The Truman Show, The Beach, and Pleasantville,Utopia: No Place Like There

Oscars 2017: Best Live-Action Short

Oscars 2017 Best Live Action Short. This year’s Oscar nominations for Best Live-Action Short are all European: The Woman and the TGV (Switzerland), Silent Nights (Denmark), Time Code (Spain), Enemies Within (France) and Sing (Hungary). Oscars 2017: Best Live-Action ShortAnd while all have obvious merits, most fail at the short format, striving instead to be an abbreviated feature. Aske Bang’s Silent Nights is the most flawed in this regard – cramming in a passionate on-again-off-again affair, a mugging, death of a parent, deportation and sudden pregnancy into 30 minutes. Oscars 2017: Best Live-Action ShortTimo von Guten’s The Woman and the TGV, although entertaining and meticulously shot, suffers from a kind of Amelie envy. Best Live-Action ShortKristof Deak’s Sing and Selim Azzazi’s Enemies Within briefly focus on the key of the short format – that of a specific and intense relationship – but both lose focus in the end. Oscars 2017: Best Live-Action It is only Juanjo Gimenez’s Time Code – the shortest of the entries at fifteen minutes – that understands the structure of short films. Oscars 2017: Best Live-Action ShortIt delivers from beginning to end with humor and insight into the human condition while never overshooting its mark – people are happier when they accept themselves.

DuVernay’s Documentary “13th” Needs To Be Seen

Ava DuVernay’s Academy-nominated documentary 13th exposes the intrinsic flaw of America’s 13th Amendment. DuVernay's Documentary "13th" Needs To Be SeenNeither slavery nor involuntary servitude, except as a punishment for crime whereof the party shall have been duly convicted, shall exist within the United States, or any place subject to their jurisdiction.

While abolishing slavery is well and good – how did it ever happen in the first place?! – the amendment allows for the practice to continue through the penal system, a system that systematically incarcerates black males in America, a population that, only 4% of the overall population, accounts for 40% of prisoners. Black ManDuVernay outlines America’s dismal history of discrimination and servitude, citing Jim Crow laws as well as the systematic targeting of black leaders such as Angela Davis and Black Panther Fred Hampton.DuVernay's Documentary "13th" Needs To Be SeenPresidents Nixon, Reagan and Clinton are all indicted for the role in the morass as well as So-Called President Trump. Most insidious of all is the monetization of the mass incarcerations – corporations such as WalMart and Time Warner directly profiting from these policies – as well as the understanding that another iteration of the racist laws awaits us all. DuVernay's Documentary "13th" Needs To Be SeenDuVernay’s film needs to be seen. Okay, so what are you doing? Watch it now!Institution is not a building but a method

The Cattle Drive in Howard Hawks’ “Red River”

It’s not the story nor the setting nor even characters that make Howard Hawks’ 1948 Red River an epic, but the images of the cattle drive.The Cattle Drive in Howard Hawks' "Red River"

A herd of 9,000 used in shooting this iconic story element. The Cattle Drive in Howard Hawks' "Red River"Nothing compares to these images throughout the 133-minute film.Red River

The Cattle Drive in Howard Hawks' "Red River"

Except maybe Montgomery Cliff sucking poison out of Joanne Dru’s shoulder.The Cattle Drive in Howard Hawks' "Red River"

That’s pretty good too.

“Swiss Family Robinson” Stripped from “Paint”

Just finishing the third draft of Paint, the second part of a trilogy of coming-of-age screenplays, and this scene had to be switched out: DAVIS, coming down off a bad mushroom trip, is sitting with his crush, ELLEN.

DAVIS: Let’s watch Swiss Family Robinson.

ELLEN: Really? It’s the Disney film, right?

DAVIS: I love that film.

ELLEN: You watch it with your father?

DAVIS: No. (Pause) I don’t know. He read us the book. I remember that. He sat in his old rocking chair. It creaked as he stretched back, the light over his shoulder.

ELLEN inserts the tape and sits on the other side of the couch.

DAVIS: He had a deep voice. It was good for the book.

Dramatic orchestral music plays on the television. A ship drifts across the screen in a hurricane winds and high seas."Swiss Family Robinson" Stripped from "Paint"

DAVIS: (Watching the film intently) I had my first existential moment watching this film.

ELLEN: (Sleepy) Yeah?

DAVIS: When they finish the tree house and they take the mother upstairs. (Pause) It was so amazing, so perfect. It looked like a perfect place. "Swiss Family Robinson" Stripped from "Paint"DAVIS: (Looking at ELLEN, who sleepily looks back) And then it wasn’t. It was the opposite. It was fake or something. I don’t know. I had to the leave the room. My step-mother made me go to bed because she thought I was sick.

The Swiss Family Robinson is revealed trapped below decks, yelling for help but still looking orderly and respectable. The ship grounds out on a rock.

DAVIS: (Pause, sighing deeply) You don’t remember doing something amazing as a kid – your absolute favorite thing in the world – and then feeling like it was pointless? You thought it was this thing. And then it isn’t.

DAVIS continues to watch the film.

MR. ROBINSON (On Television): Hans, help your mother!

HANS: If I had been captain, I would have fought the pirates instead of running into storm. "Swiss Family Robinson" Stripped from "Paint"The Swiss Family Robinson climbs to the top of the ship’s decks and sees that the ship is grounded near an island.

Close up on DAVIS as he watches intently.

MR. ROBINSON (On Television): At least we’re not too far from land.

MRS. ROBINSON: Then there’s hope.

 FRITZ: Maybe we could build a raft. There’s enough wood.

DAVIS: Of course they can build a raft! Of course they can.

Smiling, DAVIS looks over at ELLEN and sees that she is asleep. He stares at her naked shoulder, moves forward and looks as if he is about to kiss it when she opens her eyes.

ELLEN: Just watch your movie.

DAVIS awkwardly looks back at the television screen.

KEVIN ROBINSON: Look what I found! The captain’s dogs! Are they glad to see me!

The Robinson Family begins to cut barrels and wood and construct a raft to go to shore.

DAVIS looks around at ELLEN again, who looks angelic in her sleep, and considers touching her shoulder again, but pulls the blanket over her instead. He turns back to the film and watches as a raft is built and lowered into the ocean from the ship. DAVIS falls asleep.