Fuck Pedagogy: Cutting Out the Sordid Bits

In the midst of the second draft of my teaching autobiography, Fuck Pedagogy, I am having to kill scenes that don’t support the theme of engaging students or knowing subject content. And so I axed this sordid tale from my student teaching days:

I became so relaxed in my teaching practicum that I went out late one school night to see a band, Snowpony at The Starfish Room in Vancouver. Not only did I stay to the end but was brazen enough to wander backstage after the show, sit down with the band and explain how they had to try to the oysters in Portland, the next stop on their tour, drunken advice I am sure they could have done without.

Lead singer Katharine Gifford of Snowpony

I woke early the next morning and looked out the window to see that my van was not there. Given that I was responsible for driving three other student teachers out to Maple Ridge for our practicums, this was a problem. I called everyone to say that my van had been stolen and that we would have to rent a car. I lay back down and only a moment later remembered that it hadn’t been stolen. I had left it at my friend’s house. In other words, I had done the right thing and forgotten that I had.

My van did not end up in the drink.

I picked everyone up and raced out to Maple Ridge, getting there just in time for my 8:30 class and announced the Free Write prompt (“I remember…”) before going down the hall for a long drink of water from the fountain. As bad as I felt, I had the revelation, as I returned to the class, that I could teach hungover.

The Good, Bad and Ugly of Non-Fiction Writing

Non-fiction writing is the art of the unseen. The author must create a clear narrative with a definitive voice, revealing the story to the reader, and never take over.

At one end of the spectrum are poorly written books like The Mad Trapper of Rat River or James Barnett’s Captain George Vancouver in Alaska and and the North Pacific which sacrifice discernible structure for a spew of meandering details. At the other end, overly books such as David Grann’s The Lost City of Z or the obsessively detailed Lost Paradise by Kathy Marks read like never-ending magazine, drowned by minutia and over-writing.

Non-fiction demands something in the middle, not a information dump nor the author doing cartwheels but something that does the story justice through clear prose and content.

Two books I have read of late fit this bill. Nathanial Philbrick’s In the Heart of the Sea probes costs of survival at sea while Don Starkell’s remarkable Paddle to the Amazon documents the remarkable story of a 12,000 mile canoe trip, both taking the reader on a journey they will not soon forget.