The Swiss Family Robinson Massacre

I vividly recall watching the The Swiss Family Robinson, the Walt Disney film of a shipwrecked family living in harmony with the land. Why not then read Jonathan Wyss’ original 1814 story to reconnect to that innocence?

Surveying “New Switzerland”

The systematic slaughter of every living thing doesn’t come as a huge surprise in the beginning. We heard the boys popping away at the birds as we drew near. (107) Ernest ran into the water with his hatchet and killed the fish. (112) After all, this is a story of survival.

But the narrative goes well beyond that: Franz shot a beautiful blue jay and a couple of parakeets. (162) I could not consent to keep more than two puppies, and the rest disappeared in that mysterious way in which puppies and kittens are wont to leave this earth. (198) I sprang upon the onager’s back, and seizing her long ear in my teeth, bit it through. The result was marvelous, the animal quivered violently and stood stock still. (205)

Something dead

The family evolves into a sort of serial killer gang: We were obliged to do our part with clubs and sticks. At least forty apes lay mangled and dead. (260) Franz was overjoyed to find that he had shot the capybara, a creature that was new to everyone. (308) They kill ostriches, bears (referred to as “bad rubbish”), whales and walrus. The head of the walrus, the head! We must have the whole head’ cried Jack. (375)

Basket Head (Nick Cave)

The Disney Corporation has always been the master of gutting original stories. (Remember that Pinocchio kills the cricket at the beginning of Carlos Collodi’s tale and is then haunted by its ghost.) It’s just that here, Disney might have done me a favor, banishing Wyss’ repetitious violence for pirates and ostrich races. And so…this one time: Thanks, Walt.

Walt Disney’s “Song of the South”

While researching my Undergraduate Thesis on Walt Disney, Goodness!, I visited the Walt Disney Archives in Burbank in 1986 to view Song of the South, their only film unavailable for public viewing. Walt DisneyNot only did they deny me access to the film, but they refused to answer any questions about it. “Have you shelved the film because of racist stereotypes like Uncle Remus?”

“We cannot comment on that.”

My thesis was not in fact on the racism (nor sexism) inherent in the Disney creed but rather in their tendency to simplify (or rather stupefy) details of story. Walt DisneyThe best example of this was their decision to keep Jiminy Cricket alive throughout the Disney version of Pinnochio as a road buddy when in fact Pinnochio kills the insect in the opening pages of the original story by Carlos Collodi. Walt DisneyThe irony is that Song of the South is not a skeleton in Disney’s closet – Uncle Tom’s and all – but an example of just another film which uses gimmicks and song – Zip-A-Dee-Doo-Dah Zip-A-Dee-A – to cover up bland story-telling and stereotypes that have undercut many Hollywood films.Walt Disney

To say nothing of the country as a whole.