Screenplay: “Nogo, The Anti-Trump”

The film opens with an extreme close-up of a black man, Nogo, driving at night on a deserted road. The camera pulls back to reveal Nogo being followed by a full-size pickup truck, its high beams bearing down. Nogo is forced off the road. The driver and passengers, each bearing arms, lean out of the truck as Nogo leaps out, tire iron in hand.“Tolerance! You got that?” He smashes out a headlight and then the other as the driver raises a shotgun. Nogo stares back, defiant. “You better have more than that.”

Black out, gun shots. Opening credits roll. 

Yes, just think Django Unchained meets Punch Drunk Love meets Easy Rider.

Aspiring to the Enigmatic: Five Film Scenes

Advertisers want to give us answers, all of our confusion beaten into sell-able pulp.

Christian Dior sells the bag, not the question.

Christian Dior selling purses.

Movie trailers are the same.

Luhrman's "The Great Gatsby"

Baz Luhrman’s “The Great Gatsby”

All of it so simple and pornographically direct. Screenshot (208)The failure is in their intent, attempting to answer everything, give our lives a clear, cohesive narrative, when it is just the opposite.

Being John Malkovich

Spike Jonze’s “Being John Malkovich”

Real questions don’t do well under the spotlight; they wilt and are never clear. Sudden and enigmatic, they only offer a glimpse, making us stop and think, “Wait. What was that?”

5. Being There (1979, Hal Ashby) Chance watches cartoons in a limousine.Screenshot (262)4. The Thin Red Line (1998, Terrence Malick): American soldiers walk by a local in Guadalcanal.

Screenshot (277)3. Punch Drunk Love (2002, Paul Thomas Anderson): A car crashes in an empty street.Punch Drunk (3)2. The Graduate (1967, Mike Nichols): True love is realized…and then what?the_graduate_ending_shot_elaine_and_benjamin_on_bus1. Aguirre, Wrath of God (1972, Werner Herzog): In the end, only monkeys are left for the revolution.600x1000px-LL-89d5a674_aguirre

Who is with me?