The Greatest Films Ever Made: The Top Thirty (#21-30)

Looking for a film to watch? Welcome to my can’t-miss list of the greatest films ever made. Rather than employ a convoluted set of criteria, citing genres, eras, directors, etc, I use two basic guiding principles: a) The immediate impact of the film and b) The compulsive need to see the film again and again. In other words, these films are not only entertaining but will leave a lifelong imprint on your brain. Without further ado, here are films #21-30…

21. Annie Hall (Woody Allen, US, 1976)

Indelible line: “How you got to teach a course in anything is amazing!” (Marshall McLuhan)

Lasting impression: A marvelous array of one-liners and gags

22. The Godfather (Francis Ford Coppola, US, 1973)

Indelible line: “Yeah, let’s talk business, Mike. First of all, you’re done.” (Moe Greene)

Lasting impression: Anti-heroes bathed in golden light

23. Honeyland (Tamara Kotevska & Ljubomir Stefanov, Macedonia, 2019)

Indelible line: “I’m not dying. I’m just making your life misery.” (Hatidže’s mother)

Lasting impression: Isolation and silence

24. Do the Right Thing (Spike Lee, US, 1989)

Indelible line: “The story of life is this: static.” (Radio Raheem)

Lasting impression: The heat of an intense summer day

25. Dead Man (Jim Jarmusch, US, 1995)

Indelible line: “You had the last philistine. This one’s mine.” (Benmont Tench)

Lasting impression: The nearest truth to the Wild West ever offered

26. Being There (Hal Ashby, US, 1979)

Indelible line: “Life is a state of mind.” (President Bobby)

Lasting impression: A fable for the digital world

27. Dazed and Confused (Richard Linklater, US, 1993)

Indelible line: “Now me and my loser friends are gonna buy some Aerosmith tickets.” (Pink)

Lasting impression: It’s remarkable how accepted and cool bullying can be

28. Elephant (Gus Van Sant, US, 2003)

Indelible line: “Fuck, anyway, Mr. Luce. Whatever.” (Eric)

Lasting impression: Mundane life punctuated by brief and shocking violence

29. Gilda (Charles Vidor, US, 1946)

Indelible line: “Gilda, are you decent?” (Ballin) “Me?” (Gilda)

Lasting impression: Rita Hayworth, the epitome of soft focus and key lighting

30. Short Cuts (Robert Altman, US, 1993)

Indelible line: “Marian, you’re not wearing any pants!” (Dr. Wyman)

Lasting impression: Everyone’s life is an utter mess

Pitch Conference: Part One

In the midst of a four-day conference on engineering the pitch, I take stock of where I am, in a complex of multi-use studios where others act, dance and sing, an ideal location for a Robert Altman film. nashville sceneThe starting point of the conference is a work-shop circle, focusing on editing the pitch, ensuring the set, hook, complications, plot points and cliff hangar are in place, re-writing that again and again until the essence of my bad side is razor sharp or dead. Pitchcon5The second and third days are devoted to pitch sessions, the first done in front of the group, the second and third in one-on-one speed meetings with my group leader as coach. There is a lot of sitting and staring, waiting for the door to open and my chance to go in. Pitchcon2And when that comes – in the room for a second, maybe two – I can’t remember any of it except that I had said something about not wanting to change my sex and then went on about the wonder of science fiction, which my book isn’t, in other words, the bits that I would like to have back. Pitchcon4Another session awaits, another chance to shine or collapse, and of course regret everything in the end.