The Anti-Wilhelm Grunt

The Wilhelm Scream, a stock sound used over many years in Hollywood action films, became an insider joke for sound engineers because it was an exaggerated comical sound. It fit the genre because it was silly and fun.

I suggest a much more harrowing thing be done for the grunt. An involuntary sound, it is primal, a release of terror, pain or pleasure. I will suggest one for each category:

Stevie (John Savage) unleashes a ghastly, breathy grunt waiting in fear for his turn in Russian Roulette in Cimino’s The Deerhunter.

Roy Batty (Rutger Hauer) panicked yet controlled release while piercing his hand in Scott’s Blade Runner haunts me to this day as does the death grunt of The Ugly (Lee Van Cleef) from Leone’s The Good, The Bad and The Ugly.

The pleasure grunt is a little more broad, but a simple porn grunt search might suffice. Perhaps try Tanner Mayes?

Writing Process: Tapping the Id

I am not one for dream scenes with the character lost in their heads; this is the part of the story where I lose complete interest. That’s not to say that these images aren’t a wellspring of inspiration, the pure of the id as it were, that can be woven into the narrative, like John Savage fear-grunting in The Deerhunter or Tanner Mayes clinging to her necklace.

What makes a story isn’t the arc, conflict and resolution but how it accesses what it means to be conscious. The western world seems bent on burying all of that fine stuff just to fill our pockets with more things and regret.

I didn’t dream of beer but of eating Checkerboard ice cream, spilling it all over, and I was jealous of that person and dreamed myself back to my old university where I was living on my own, shitting in the sink, not even closing the door.

I love the mania of getting into this, slopping through these base things, finding what might be next, making clouds so that I might escape into a tiny convoluted body and fly again. None of this has happened, but I think that it might. It’s about knowing that unknowable thing within.