The economical prose of Patricia Highsmith compel the reader to not only read on, but more importantly, to empathize with the mind of a killer:
The white, taut sheet of his berth on the train seemed the most wonderful luxury he had ever known. He caressed them with his hands before he turned the light out. And the clean blue-gray blankets, the spanking efficiency of the little black net over his head – Tom had an ecstatic moment when he thought of all the pleasures that lay before him now with Dickie’s money, other beds, tables, seas, ships, suitcases, shirts, years of freedom, years of pleasure. Then he turned the light out and put his head down and almost at once fell asleep, happy, content, and utterly, utterly confident, as he had never been before in his life.