Harmony Korine’s Spring Breakers is pretty awful, little more than a terrible rap video with loops of meaningless dialogue, sensational imagery and an off-key – even insulting – reference to the imprisoned Russian group Pussy Riot. Not that any of this surprises – excepting the purple unicorn balaclavas. What’s remarkable is the critical response. Spring Breakers has been called “the year’s loopiest bit of fun” (Time Out), “positively raging with affect” (New Yorker), and an “outrageously funny party that takes a while to appreciate.” (The New York Times) With no characters, dialogue, nor even a narrative, it’s none of the above, but rather a bland statement about the simmering violence in pretty little things, all of it trite and overly done. The only entertaining thing was the drama in the theater – teenagers sneaking in, chased out by ushers – which seemed to approximate the politics of the affair.