While in New Orleans, I was intrigued by a poster called The Last Session.

Joshua Walsh’s “The Last Session” features Louis Armstrong as the Christ figure.

In trying to research who each of the figures of betrayal were in the work, I was quick to learn that parodies of Leonardo Da Vinci’s 1498 iconic work are common as thieves. 
The proliferation of this icon, re-branded and spun, is confusing to say the least, an image that everyone seems to know and yet no one understand. Yes, just like getting a tattoo.