All the young kids who are starting out want to do crazy things with the camera. It’s useless. The simplest continuity is the most efficient: a shot and then a reverse shot. You must spend more time with the actors and the dialogue than with the camera. Anybody can think up a difficult camera move, but very few can manage to retain the same feeling between a long shot and a close-up, to keep up the quality of the emotion. (From Scott Eyman’s Print the Legend, 273)