1. Dialogue should be a series of non-sequiturs because “human beings do not really respond to one another.”
2. Any passage that invites underlining must be cancelled.
3. Stories are written in other people’s voices, not the writer’s own.
1. Dialogue should be a series of non-sequiturs because “human beings do not really respond to one another.”
2. Any passage that invites underlining must be cancelled.
3. Stories are written in other people’s voices, not the writer’s own.
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So, one and two are easy, but number three is next to impossible.
None of them are easy, because there also has to be a story!
The second is the most difficult one!
Certainly the most painful.