Waiting for an Earthquake in the Wrong Place

Everyone had gathered in an old bank vault, not the vault, but an old bank with a vaulted ceiling. The safest place was in the board room but that was full and no one would open the door. I stayed along the wall and looked up at the plaster ceiling, the finery of 19th century workmanship dangling in delicate, broken segment high above. I moved corner to corner, past the huddles of people I did not know and who did not want to know me, and finally down a hallway that led to a narrow staircase and a wooden basement. I knew that it was a bad dream and I had to go down.Syria 179The first door came eerily open and I was afraid. I shut it and jumped away, continuing to the next where I found more cold and dark and decided I must go back to the first and face my fears. There was nothing there. It was empty with a dirt floor room wand a draft. I didn’t question why it was under the bank. It was just there, like the witches and killers and crypts beneath my childhood home. 20140914_112837The first rumbling was clear, like an airliner coming in too low. The next was less so. And that was it. The vaulted bank room was empty by the time I returned.

Backseat Driver: Scene Outline

A deer and then another run across the road. L swerves hard, misses the first, but catches the second and seems to about to lose control, cutting across the shoulder and then stops.There is a long moment. No one says a word. Backseat Driver: Scene Outline(Description details digging into the trapdoor of fear, the foundation of what it is that terrorizes the back of the brain, freezes the heart and lungs when the deep steps loom down, sucking everything in, stepping deliberately into it, terrified of the monsters and evils that haunt the shadows and walls, and continue into the dank cut-out pit, pressing face and limbs forward to look into the long rectangular holes where it lives, wanting to scream and scream and run but looking down into it, expecting the claws and horned head, the hunched back, the bloody arm to wrench you down and find nothing, nothing, but still held in the black, knowing that it will come from somewhere.) Backseat Driver: Scene OutlineL opens the door to search for the deer. It is raining hard. H follows her with a flashlight and then R. They can hear a rustling in the brush. L moves toward it. Three cars pass by. H continues to move toward the bushes, but she can’t hear anything. H shines the light. Another pair of cars (mobile homes) pass. R catches a glimpse of the animal fleeing. It is quiet. R mentions going after it. H disagrees. L says nothing and goes back to the car. H and R get back in. H offers to drive. L refuses. They continue on.