Terrence Malick is a great filmmaker not because he knows how to tell a good story, but rather how he puts together a stunning set of visuals. 






Terrence Malick is a great filmmaker not because he knows how to tell a good story, but rather how he puts together a stunning set of visuals. 






My Bloody Valentine released a new album this spring, mbv. It is a haunting offering of distorted, crazed music, much like their great Loveless LP from 22 years back. 

I must admit to a history of obsessive music listening. My housemates in college stole the fuse from my stereo because of my addiction to The Grateful Dead’s Terrapin Station. 


It is a sideways, sudden place, in the dark, the glare, catching the eye of another, maybe yourself. 
As simple as Stephen Hawking apparently tried to make his explanation of the universe in A Brief History of Time, the read is quite a challenge. 

We went on a brief theater rampage recently, seeing Nora Ephron’s Lucky Guy, Lyle Kesler’s Orphans and Richard Greenberg’s The Assembled Parties. 


To the Wonder is rich with Malickness: floating cameras, imprecise narrative and women, arms out-stretched, racing through fields. 



Anti-gun legislation has been shut down on the senate floor. America’s obsession with guns and their right to have as many as possible will be the country’s undoing in the end.
It’s the entropic element of a society that would rather shoot itself in the head than lose the freedom to do so.
There was a fire on Fulton Street – on the other side of our block – on March 18. (Click on image for video.)


ESPN Interviewer, Steve Levy: “In your wildest imagination, could you imagine anything like this happening?”
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