Another Scene Gone: “Paint”

My current project is the second part of a screenplay trilogy focusing on a college student, Davis who, in this deleted scene argues, badly with his university radio station colleagues:

Paul McCartney’s Live and Let Die plays in the background over the lounge speakers in the radio station.

LAURA: Ellen’s show is called Synesthesia. You know what that is? (To ELLEN) Kandinsky painted music, right? Different senses coming together. You should open your show with something like that.

ELLEN nods earnestly.

DAVIS: I wrote this play in second year.

ELLEN: A play?

DAVIS: Well, it was more like a philosophy paper. kandinsky small pleasuresELLEN: About Kandinsky?

DAVIS: Nietzsche’s Ubbermesh.

ARTHUR: It’s Uber-mench. Uber. Use the ‘U’. And mench, like bench.

DAVIS (Trying to ignore ARTHUR): There was this painting in it, Garicault’s Raft of the Medusa.

ARTHUR: Christ, Davis, do you know any words? (Gesticulating to LAURA like a frustrated clown) It’s Gericault. The ‘g’ is soft. Repeat after me: Gericault. Gericault1LAURA: I have a question for you, Davis.

DAVIS: I can hardly wait.

LAURA: What are you going to do about the dead air?

DAVIS: What dead…?

DAVIS looks up and wheels around, suddenly realizing that Live and Let Die, the song on his radio show, is about to end. He sprints around the corner, slides into a filing cabinet and bangs into the door, only realizing now that it is locked. The song ends.

Tired on the Train

She opened the book and considered the page. IMAG3779She had forgotten where she was, what paragraph, what had happened. She let her hand drift down the worn paper, dragging the bookmark in a long slow slide. She bent the bookmark forward and looked down the glossy edge, an old ticket, from the McCartney concert at Yankees Stadium. paulmccartneypopThey had sat at the side of the stage, seeing McCartney’s profile as he moved back and forth. It was amazing how young he acted and all of those great songs. And Crystal had almost looked happy, relaxed in the evening light, the arc of the thousands of people going up gently away into the sky. She didn’t drink that night. Nothing. That was the year she had died.IMAG2402She turned the ticket over, slid it back into the book, and held her finger, the black nail polish poking out, the end of it. She hung on to that and stared at her shoes and then across the train at her dark reflection in the window, the tunnel moving past, and saw the man staring back, his expression almost angry, chin burrowed in his scarf. Sex. It was always that. IMAG3354The train slowed. It was time to get off.

Sex Symbols of the 1960s

A tantalizing contradiction seems to exist in the sex symbols of the 1960s, a sexuality that simultaneously offers lust and innocence. Sex Symbols of the 1960sPaul McCartney used this iconography on the Out There tour as a stage backdrop for his performance of Paperback Writer.

Sex Symbols of the 1960s

Paul McCartney, Barclay’s Center, Brooklyn, June 10, 2012

The Dandy Warhols used similar imagery while playing Good Morning.

Sex Symbols of the 1960s

The Dandy Warhols, Terminal 5, New York, May 30, 2012

The images are provocative – more so than most graphic visuals of today –  as they tiptoe along the line of what might be allowed.

Sex Symbols of the 1960s

Brigitte Bardot

Sex Symbols of the 1960s

Raquel Welch

Sex Symbols of the 1960s

Jane Fonda

In other words, it’s not so much the nudity as the pose, a faux timidity almost asking, “Do you mind?” Of course those were different times.Sex Symbols of the 1960s

Future soundtrack

A few songs have figured prominently in my head as I wrote My Bad Side and thus figure in my dream soundtrack for the film:

Jet (Paul McCartney)

Last Day of Our Acquaintance (Sinead O’Connor)

Somewhat Damaged (Nine Inch Nails)

When I Go Deaf (Low)

Alas, it seems unlikely that there will be any Grateful Dead. Dee just isn’t a Deadhead.