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Tag Archives: born free
Six Great Heroines of Fiction
It’s a challenge to think of a heroine who isn’t passive, either loving from afar or loving too hard.
And while these passionate characters are to be admired, they tend to limit us in our view of what it is to be a woman of substance. Where are the heroines to rival Odysseus, Atticus Finch and the Cat in the Hat? 
6. Joy Adamson (Born Free) 
5. Hannah Arendt (Hannah Arendt) 
4. Gloria (Gloria) 
3. Chihiro (Spirited Away) 
2. Clytemnestra (Agamemnon) 
1. Doctor’s Wife (Blindness) 
Born Free: A Film Review
Born Free (James Hill, 1966, UK) **** (Four out of four.) There are so many great things about this film — the terrifying opening scene with the blood and clothes flowing down the river, the sped-up shots of the lions attacking, George Adamson bringing Elsa back from the airport, the rock hyrax Pati-Pati, Elsa chasing the elephants and defending Joy Adamson from the snake. There’s also the scenes of George’s painkiller addiction, which is so intense because it seems impossible for such a loving and reasonable man to be so intense, and then the scene of him killing the man-killer lion in his pajamas. 
It was all a movie, and it yet really did happen. If they go on to make a movie of McPhedran’s My Bad Side, it should be like this. Apollo would play himself, and I would consult.
Top Ten Animal Films (According to Dee)*
*No cartoons, animatronics, etc
- Orca, the Killer Whale (Michael Anderson, USA, 1977) This is pure camp, but I was born the year it came out. I’ll never forget when he bites off the broken leg – cast and all – of Annie (Bo Derek).
- Dances with Wolves (Kevin Costner, USA, 1990) It is the cheesiest of films, I concede that, but the wolf, Two Socks, is awesome. It’s one of the saddest moments in film when those bastard soldiers shoot and kill him.
- Tarzan the Apeman (W.S. Van Dyke, USA, 1932) Cheetah is a star, but it’s really all the elephants and crocodiles that make this film amazing. (Not so much the fake hippos.)
- A Boy and his Dog (L.Q. Jones, USA, 1975) This is camp apocalypse – before apocalypse was hip – with Don Johnson and his bitter mongrel, who thinks profoundly and cruelly on humanity but remains loyal to the end.
- The Secret of Roan Inish (John Sayles, USA, 1994) The magic in this film is very real. The seals come out of the dark sea in a wonderful, terrifying way. They know more than you would think.
- Gorillas in the Mist (Michael Apted, USA, 1988) The gorillas are incredible, just incredible. I know this film has animatronics, but it was shot on location and there are incredible shots of the gorillas in their habitat.
- The Edge (Lee Tamahori, USA, 1997) Bart the bear is a force, not only in the way he flings that poor guy around but also in how he lowers his ears and pushes out his lower lip. He also dies the tragic death.
- Babe (James Cromwell, USA, 1995) I admit there are too many visual effects – puppets too – but there really is a border collie and a pig. And it’s a great pig. “That’ll do, pig.”












