April 11th cover of TheĀ New Yorker:My picture from 2010:
Should I sue?
Valerie texted with both thumbs and a forefinger, her long fingers with ethereal pink nails, furrowing her brows, curling the corner of her mouth, her feet splayed out sideways, her knees pressed in. She looked almost a caricature of herself, everything exaggerated and intense, tight inside herself, not even there, aware of nothing but her screen.
Santiago Calatrava’s Oculus has finally been opened…sort of. Click here for video.
Accessible through a series of corridors winding through the construction, the cathedral-like commuter hub is populated solely by tourists. It will take more time – and money? –Ā to make the $3.74 billion space accessible for commuters.
TheĀ Chamber of Commerce Building, at 65 Liberty Street, is one of many buildings in downtown ManhattanĀ with doric columns.Built inĀ 1900-01 to house New York State’s Chamber of Commerce, it wasĀ vacated eighty years later. The building was restored in 1990-91 and now houses a pair of banks: The Megabank of New York and Bank of China, Taipei.Ā
In contrast to the heavy finance going on inside, the front of the building is consistently lined with rows of bikes forĀ a local food delivery service.
I trailed after my wife,Ā navigating around a cluster of pink bedecked girls dancing to electro-pop beats duringĀ “Ā Open Studio Weekend; the place looked like a Hollywood set.“Even the graffiti looks fake.”
A scruffy juggler in white tights called over,Ā “Try to stay positive!”
I glared back. “Stay focused on yourself.”
“It’s okay, man.” He dropped his pins. “It’s all good.”
Cristian Daniel Torres is a plumber and an artist.His creations are enigmatic, evoking child-like wonderSome areĀ mechanical, even functional. (Click the image below to see him demonstrate a computer desk.)All of the workĀ can be seen at Mr. Torres’ studio at Local Project in Long Island City, Queens.
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