The Kittle Fash of Stevenson’s “Kidnapped”

Like Moby Dick, Robert Louis Stevenson’s Kidnapped is one of those books I had never read and thought everybody else had. Like Moby Dick, I found the book exhausting and dense and eventually learned that few have actually read it.

The problem with the book is three-fold, the biggest challenge being the archaic language, with words like slockens (moisten), gliff (look), clour (hit), kittle (difficult) and argle-bargled (argue) permeating the text. On top of the language is the convoluted politics of the 1700’s where you were either a Whig, a Jacobite or a repressed Highlander, Stevenson assuming the reader understood the background to all of this. (Which I didn’t.)

View of the highlands from Ben Nevis

At the heart of the problem however is the narrative, which is a story of a young man who is knocked on the head and put on a ship for the slavery in the Carolinas only to escape and find his way tediously back through the highlands. It’s a never-ending journey that plugs on and on, like Ahab and his whale, until it doesn’t.

Beached Pilot Whales on Sanday Island, Orkney

I eventually made it to the end but with little satisfaction. And I would not recommend the journey to anyone else, unless you know bauchle and kittle and can thole fashious things.

Life is Work and Work is Life

I’m coming back from two weeks in New Orleans where I was tired and uninspired and did very little writing. Instead, I read and drank and walked around. “It’s good for you,” I was told time and time again. But it didn’t feel that way. It felt like life was pointless. I felt desperate.

My father always said that if you don’t like work, you’re not going to like life. Jim Henson concurred: “I love to work. It’s the thing that I get the most satisfaction out of – and probably what I do best. I think much of the world has the wrong idea of working. It’s one of the good things in life. The feeling of accomplishment is more real and satisfying that finishing a good meal or looking at one’s accumulated wealth.”

The idea of being idle, either enjoying the company of family and friends or, worse, in retirement, are presented as goals in our society, a tendency toward inertness that has been furthered by our self-destructive attraction to our screens and just be generally stupid.

My dream is to be like Henson and my father, to be working until the end, projects on the go, one close to completion, others in production, another one or two in development, and then getting up from a table, moving onto another thing, I just don’t make and am no more.

Time for the Witches, PJ & Dee

The subjugation of women started long ago, Gunter Grass postulating in The Flounder that it was the moment men figured out childbirth was not a secret of women but the result of fornication.

Whatever the moment, the persecution has continued unabated throughout history, well documented through the portrayal of women as The Fates, Furies and Witches, all tortuously guiding men to their downfall.

The portrayal of witches has evolved somewhat today, some still hideous and evil, others sexy and fun, but all remaining an essential threat to men.

The fear of women remains rampant throughout the world, especially so in the United States, because they really do have a greater power than men. It isn’t because of their vaunted role as mothers – preserve us from that pronouncement – nor their intuition or dreaded scorn. Rather it’s due to the fact that they aren’t as petty, childish and stupid.

Given that young women have been trained to sexualize themselves for approval and financial security, they now need role models to find their way.

Intelligent, talented and, yes, beautiful, Ms. Harvey mines the essential ooze with acuity and supreme confidence, enough to terrify any man. As does Dee in my novels My Bad Side and Em, hopefully soon to be in print.

Men just need to accept that they are babies and let these witches take over the world.