Werner Herzog’s Reflections on the Natural World

I had an encounter with a big boa constrictor, which poked its head through the chicken wire surrounding its wooden cage and looked at me fearlessly in the eye for a long time. Stubbornly confronting each other. we were pondering the relatedness of the species. Both of us, since the relatedness was slight, felt sad and turned away from each other.

A drunk spat at a beautiful monkey, black, with limbs that go on forever. He looks very intelligent. He is sitting with his tail wrapped around his buttocks, his knees under his chin and his arms around his knees. I realized I was sitting the same way. Does the monkey dream my dreams in the branches above me?

Next to a surfboard, a cormorant popped up from the water, looking so out of place and artificial that for a moment I thought it was plastic, like the fake ducks that hunters put out on ponds as decoys, but then it suddenly dived so elegantly that I gained confidence in cormorants.

Flesh-eating flowers oozing oily invitations lure insects to their death. On rotting wood, slimy fungi brood poison. The jungle, existing exclusively in the present, is certainly subject to time, but remains forever ageless. Any concept of justice would be antithetical to all this.

Why do these animal dramas preoccupy me so? Because i do not want to look inside myself…and would prefer to observe the jungle revel in its debauched lewdness.

Excerpts from Werner Herzog’s Conquest of the Useless.

Pink Soda Dance

Hands came over my face, a sharp young woman in sunglasses and nothing of a dress. She pretended it was an accident but demanded that I get out of the way so that she and her friends could post a video.

She feigned shock when I told her that she was being rude. They passed out the drinks, mostly pink soda, and danced, the last one in a blue head band, a feather tied to that, her face pressed close to a wall, near a screwed-down pipe.

I had to get a picture, especially with the ocean and trees in the distance, but was locked out of my phone and had to resort to AI.

Bequeathed Baby

Winds came hard from the east, carrying my ex to the sands she loved and an urn, a bequeathment from her father, now chipped, his old apartment full of former students.

The water flooded up into a pool, the students playing and spitting, little to say, the phone – the phone again! – half burned in the muddy sand, unable to grip, to move back, even with the kids trying to throw rocks, thinking he might never come back, and then having to go to the bathroom, always that.

He was a baby. He wanted everything for himself and then none of it, vanishing into nothing. And not even that.

Needing to Wake

Turning a playing card over and over, the same thing on both sides…unable to open your phone, the wrong password, wrong fingers too.

Opening the door, seeing your partner half dressed with a stranger, knowing it would be like that, feeling sick and afraid.

The climactic end to a film oozing down from the floors above, the passage getting narrower and narrower until you can’t find the right door and are on an elevator that twists sideways and stops on an impossibly high floor, everything glass all around.

The terror digs deep, and all you have to do is wake.

Sisyphus: The Hour of Consciousness

Sisyphus watches the stone rush down toward that lower world whence he will have to push it up again. It is during his return, that pause, that hour like a breathing-space which returns as surely as his suffering; that is the hour of consciousness.

Greenlandic trail

The evidence is in the absurd divorce between the mind that desires and the world that disappoints, a nostalgia for unity; those are the contradictions that bind together. If the descent is sometimes performed in sorrow, it can also take place in joy. One does not discover the absurd without being tempted to write a manual of happiness. Happiness and the absurd are two sons of the same earth.

Grecian cave

Sisyphus’ silent joy is contained therein. His fate belongs to him. His rock is his thing. “I conclude that all is well,” says Oedipus, and that remark is sacred.

(Extracts from Albert Camus’ The Myth of Sisyphus.)

Where to Go Next

You go to a place and, from there, you go to another. And another. And so on.

And then you go back or on to another place and get to where you started or to a new place that is the same as any other and think about where to go next.

Or as Albert Camus phrases it in his Myth of Sisyphus: Living under that stifling sky forces one to get away or to stay.