The crazy-not-crazy voice of Chief Bowden in Ken Kesey’s One Flew Over the Cuckoo’s Nest shunts straight into a place we forget about because we’re scared: That ain’t me, that ain’t my face. It wasn’t even really my face then; it was just being the way I looked, the way people wanted. It don’t seem like I ever been me. I was seeing me do things that didn’t fit my face or hands, thinks like painting a picture or writing letters to somebody in a beautiful flowing hand. (140)
And defines happiness as best as any: We’d just shared the last beer and slung the empty can out the window at the stop sign and were leaning back to get the feel of the day, swimming in that kind of tasty drowsiness that comes over you after a day of going hard at something you enjoy doing – half sunburned and half drunk and keeping awake only because you wanted to savor the taste as long as you could. I noticed vaguely that I was getting so’s I could see some good in the life around me. I was feeling better than I’d remembered feeling since I was a kid, when everything was good and the land was singing kids’ poetry in me. (202)