Writing Process: Conjuring a Scene

I am stuck on a scene in my book, Anori. There needs to be something there, but I don’t know what. It begins like this: Dee and Tommy are on the coast of Maine (with Dee’s exotic cat) where they talk about the end of their relationship. A park ranger arrives and tells Dee that exotic animals are not permitted in the state park. The exchange is cordial and the ranger leaves.

But then what? I have a tentative scene of three poachers appearing with a dead moose in the bed of their pickup. The ranger returns and says nothing. The contradiction is the aim. The ranger does nothing because he knows the poachers and will receive compensation. I like the premise of this but don’t know what should happen in the end. It seems that the stakes will have to be raised – Tommy proving himself with bravado or Dee challenging them – but I don’t want this scene to detract from the arc of the novel.

To put into context, the following scene is this: Dee and Tommy return to New York City the next day with Apollo. They spend another night together, and there are moments of hope. Dee begins to reconsider her perspective. But Tommy vanishes early the next morning. Dee is saddened and yet relieved. She returns to her work in Greenland.

Options include: a) Dee and Tommy see the poachers from a distance and leave. (Missed opportunity?) b) Tommy shoots one of them in the foot. And then…they race off to NYC? (Stakes too high?) c) Dee records their confrontation on her phone and threaten to expose the ranger’s corruption. (Convoluted and heavy handed?)

Presently, I am thinking a combination of b) & c). Tommy threatens the poachers and then he and Dee leave the park in a hurry. No one follows. I like the idea, but is it obtuse?

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They Watched Their Dog Drag Their Little Girl, But Then They Saw Him…Websites To Hate And Yet
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How to Write: The Essential Thing

The mantra for wanna-be writers is always the same: write every day. every dayJames Bond creator Ian Fleming is said to have written every morning, after which he headed off to the beach followed by an evening of cocktails. Writing_Secrets_From_Ian_FlemingI tried that once. Didn’t work out so well. IMAG2436How-to-author James Altucher offered this: “If you can average 1,000 words a day, seven days a week, you can write four to eight books a year.” 20150314_172514Uh…what?

Mystery writer Raymond Chandler said that he sat down at his desk each and every day just to concentrate. chandlerFor me, the key to writing is not bullshitting yourself. It doesn’t matter what you tell everyone else. It’s only you that matters. You spend all day, from the moment you wake, and into your dreams, always in your head. IMG_0610You need to focus. You need to research. You need characters and action. You need to do all of that. You don’t need bullshit. Just do the work. And never let yourself off the hook.Screenshot (95)Okay, maybe once in a while.