my bad side: The Birthday Party

In the midst of polishing my bad side, I have had to dramatically edit – and shift – a key moment in Dee’s childhood, a birthday party for which she had supreme expectations. As part of my mourning process, I present the scene here unabridged:

Janey’s birthday invitation had a picture of a bearded pirate in a red jacket and giant boots; his arms were in a blur, throwing cream pies in a whirlwind at scattering parrots and kids. The invitation promised games and ice cream, treasure hunts and goody bags, but all I could think about was the pirates and their swords and chain belts, all of the thundering, spitting and swearing, and how we would run with crazy legs, the birds swooping over us, screaming and squawking, all of us caked in thick balls of cream and chocolate. PirateI couldn’t believe that such a thing was possible. I lay awake staring up at the long line of light from the bottom of the window. I had crazy laughing in my head. I was going to be throwing food. I was going to be throwing pies. I was going to be dancing on tables and running from pirates. Everything was going to be crazy bright and wild. It was just so amazing. I had never been so excited in my life. I have never been since.

I couldn’t do anything that day. I stared at the TV, went through the channels, and turned it off. I looked out the window. I waited in the front hall. I turned Nani’s porcelain dogs around and around. porcelain dogsShe took forever to come down the stairs, and then she had to get her purse and then her coat. And then she couldn’t find her keys.

“Nani, come on!”

She stopped and looked down at me. “Dee, if you don’t stop this nonsense this minute, there won’t be any party.”

I waited while she found her keys and then put on her lipstick and backed the car out of the garage. She made the turn out of the driveway purposely weird and long. She drove as slow as she could. I tried to sit properly but I was stiff. My shoulders were too far back. My elbows were banging into everything.

“Is this Smithfield?” Nani slouched forward, looking at the signs. “Woods? Where is Smithfield then? I’ll have to turn back here.” We went around the block and stopped and then came back to where we had been.

“Nani!” I was going to get out and run.

“Stop your nonsense, Dee. Just stop it.”

little_girlI stared at the corner of the window, the black rubber bending out, knowing that I was missing everything, that the pirates were stampeding the room. It was hot in the car. I punched my elbow down.

“I’ll just take you home then.”

“I’m sorry.”

We turned and then again and were on a long empty street that ran to the river. We were in front of a brown brick building with glass doors and a black awning J & L Boutique. “Can you read the address, Dee?”

“This isn’t it, Nani.”

“What’s the address?”

“I’m going to miss the party.”

“What number is it, Dee?”

I looked up and down the street, looking for a running pirate, a stray bird, a fleeing child, anything, but there was nothing, just the number above the awning. “327.”

“This is it.”

“No, Nani. It isn’t.”

A woman came outside; it was Janey’s mother. I didn’t understand that. She opened the door and led me down a small set of stairs and then a wide room with a low ceiling and long checker-clothed table with stacks of Pittsburgh Pirates Styrofoam plates and cups and a bowl of plastic forks and knives and a green cake covered in cellophane. All of the kids were sitting along a bench against the wall, under a Pittsburgh Pirates flag and orange and black streamers. There were no pirates. There were no parrots. There was a fat man in a Black Flagblackflagtshirt T-shirt and apron and two guys beside him, one with a wet brown beard, the other in a tight black shirt, leaning on a plastic mop. The Black Flag man waited until we were all sitting on the bench with our feet flat on the cement and told us to stay while the other two squirted globules of Reddi Whip onto the Pittsburgh Pirates plates. The Reddi Whip cans made crummy slurping sounds. The Black Flag man told us not to move, to wait until it was our turn even though there was nothing to do. The worst of it wasn’t that his pants were falling off his bum or that he was a liar. It was that he was allowed to do this. He was allowed to stand in front of us in his cheap Black Flag T-shirt and tell us what to do. He was allowed to lie to us. I didn’t understand that. I thought I had had something. I had seen the picture. I had seen it. The running pirates were there. The parrots were there. I had had it there in my ribs, my legs, my toes stretched out, big and tiny, my hands balled tight. I had had it in me, entire. I didn’t understand how he could be allowed to trample this cartoon world, this magic, and do this.

The Black Flag man told Janey to take her plate and she tried to throw it, but it flipped around and fell sideways to the ground, and then there was a rush and everyone was grabbing the plates, and it was just a mess, flimsy, slippery and stupid. There was a treasure hunt and sandwiches with the crusts cut off and peanut butter and chocolate ice cream and goody bags, and I had to wait on the bench for Nani to pick me up.Reddi_Whip_Cream_14_oz I took a can of Reddi Whip and smeared it on the Black Flag man’s pants. I was happy about that.

Query Letter revisited

I am off to a writing conference later this week, focusing on how to write a query letter. I have had many versions of this, including a fictional news story as a central element, but I have settled on the following, for the moment at least:

Dear Agent:

my bad side, a work of literary fiction, is a story of one who has nowhere to turn but against herself. Two sisters, tragically orphaned in their infancy, have felt betrayed throughout their lives. Crystal, now 27, knows that she was borne of trauma and surrenders to alcoholism along with her boyfriend, Derek, a fire fighter who lost his company in 9/11. The younger sister, Deirdre, studying to be a veterinarian, arrives in New York and attempts to reach out to Crystal but drifts off into isolation, her beauty and eroticism leading toward a world immured in sex. A hapless shooting forces Deirdre to leave the city and embark on a harrowing journey to the majestically barren landscape of the north where she confronts the terror and loneliness in herself.

Set in contemporary New York and Newfoundland, a tone of thoughtful desperation pervades the narrative; the characters are real, the dialogue and themes vital. Deirdre tells her story with trenchant intelligence, contrasting her childhood against a present-day spectacle of carnality. Her life, like her sister’s, is revealed as a series of moments not in search of contact and understanding, but in how to build a barrier against what might be next.

My writing focuses on thought process, capturing characters’ words and actions in a moment while also giving the reader the latitude to bring their own perception to the work. This book in particular reflects upon my own distance from the world at large, developing my personal empathy for those who have been isolated and objectified in modern-day society.

Sloppy Rejection Letters

Having sent out a few query letters – with summary, sample pages and self-addressed envelope attached – regarding my bad side, I have received the occasional response, although all in the negative. All part of the process, McPhedran! Chin up! IMAG2509Nevertheless, notes such as the above leave something to be desired. While the font might be colorful and fine, the effort isn’t. The little strip of paper isn’t even cut in a straight line. “All the best?” Yeah, right.

Subway Redux: Crystal on the “4”

Crystal reflects on the New York subways (Click on the images below for the video experience): You know when you’re on the subway, and there’s another one there, another train in the tunnel right beside you, another one full of people, the light of the car and all the people and the pillars in between, everyone watching. subway trainYou know, at 33rd on the 4 or 5, and the 6 right there, everyone in that bright car, everyone going with you, going the same way, standing there in the light just like you are for them. Someone looks back. subway lookbackAnd you look the same way to her, and it’s like it will stay forever, those pillars, just standing there, staring back. That’s what New York can be. That’s what it’s supposed to be. (Excerpted from my bad side.)

Deirdre’s voice for The Ark

I’m making slow headway on my novel, The Ark, and I’ve decided to stay with voice of my bad side, Deirdre Sinclair:

I liked how it was tedious, feeding a few pages at a time, watching them chewed, coiling up into strips of nothing, but I had to empty the bucket every ten minutes. It was supposed to eat staples, but it didn’t. They jammed and I had to pry them out. And then I had to wait until it wasn’t over-heated. The stacks bent into each other, investments and secrets, numbers, names, letters from my lawyer and Nani. shreddingThe file on Crystal had been sent to me, but I had never looked. I was scared of seeing the bills, the intimacies of her lost life. She had spent so little. She had made money on everything, even the apartment, just by staying in it. She had paid for the rehab on her own and didn’t even know it. I thought I should cry, thinking of her, but there was nothing. I missed her. That was it. I needed a bigger shredder.

Querying the Pitch

Literary agents can be very specific in how they think a query letter should be pitched. Querying the PitchSend a query letter of no more than two pages, which includes your credentials, an explanation of what makes your book unique and special, and a synopsis.

Rather than leading with the plot, lay out the case for your book in a crisp, tidy four-paragraph format that begins: 1) Here is a (describe type of book),  2) It’s the story of (give only a three-sentence summation), 3) Here’s how the book came to be written and what people think of it, 4) Here are my credentials.Querying the PitchI prefer a short, clear letter rather than one that is overwritten or opaque. By which I mean, get to it: Know how to talk about your work succinctly.

Others aren’t as encouraging: No unsolicited queries accepted.

Querying the PitchI will try to get my bad side query right.

Dream within a Dream

Writing about dreams is a hazard to be avoided. As grand and pure as the moments may seem, they are probably too much that and thus not decipherable for others. IMAG2424And yet…and yet…I really did have an interesting dream last night. I was attending a seminar on how to submit work to agents. I was on my computer, editing my cover letter for my bad side when I received an email titled we will take you. Yes, it was from an agent. I held myself still, not wanting to shatter the moment. IMAG2369Someone ran past and I leaned forward to hide the computer screen. And then I clicked. We are pleased to advise you of our interest in your work. I scrolled down quickly, too quickly, and found an email exchange between two of the agents regarding my work, one extolling the vitality of my prose, the other in complete agreement…and then a note near the bottom about editing out the dream imagery. I didn’t care. I had an agent!

Names: Short and Long Form

Rarely do characters have just the one name. For example, in All In, the main character is called Michael by most, but also Mikey by a colleague and Mike by a niece. Why the difference? What makes him more of a Michael than a Mike? Is it the formality? Is he more of a two-syllable guy? What makes him a ‘Michael’?mThis is a key issue in my bad side. Everyone – family, friends and colleagues – call the main character “Dee”, until she arrives in Newfoundland, where all the people she meets call her “Deirdre”. She actually tries to correct them, but they won’t listen. It is a moment of transference that she has no control over. deealoneMany of the characters in The Life and Home of Gerbi Norberg are Ojibwa and therefore have names which are hard for the Western ear: Bezhinee, Pamequonaishcung, Zawanimkee and Asawasanay. It is nonsensical to shorten the names to Bez, Pam, Zaw and Ass. As much as that may help the reader move through the text, the lyrical nature – and hence integrity – of the characters is gone.garden-river-this-is-indian-land-bridge