There was a day, many years ago, when arenas allowed for silence.




There was a day, many years ago, when arenas allowed for silence.




Americans have hyped the Sochi Olympics with anti-glee, reveling in every problem with tweets and drivel. 
Promised NBC commentators Lauer, Viera and Remnick,during the opening ceremonies, “The Russian revolution coming up after this commercial break…”



Okay, I must admit that my Toronto Maple Leafs obsession might have gotten the best of me as of late. Game Four was not a game but a maniacal phantasmagoria in double time that extended for an eternity and then vanished in a haze. 
I couldn’t write the next day. I couldn’t focus on anything and so took my axe and straightened out my pile of wood, split log after log – take that Krejci and Chara! – restructured every piece of the 2,000 into an indomitable wall.
ESPN Interviewer, Steve Levy: “In your wildest imagination, could you imagine anything like this happening?”
The New York City Fire Department came to put out a fire on Fulton Street just behind us on Sunday, March 17, a four-alarm fire…and then they were back less than 24 hours later to put out another. 
We watched as firefighters hosed it down the second time for hours and then threw bits of concrete on the smoldering mess (click on the image for your viewing pleasure) while we made our NCAA basketball picks. 
As mentioned previously, I once had a sports column with four different publications over a span of eight years (1989-97); only The Vancouver Courier is still in print. 
Professional sport is much maligned these days; popular thought intimates that it has become nothing more than a soulless business that devours athletes and fans alike. Championships are no longer won; they are bought. That’s what the Yankees, Bulls, Avalanche and Cowboys did. 


Sporting moments can make for effective points in the narrative arc – both the highs and lows – and draw the audience in.
But most often they don’t. The team scores. Everybody cheers. So what?
These moments are too grounded in winning; the immediacy is all that matters. Indeed, one of the weakest moments in my script, Sister Prometheus, is a game of badminton between the Adamantine sisters. Virginia and Willow are the younger siblings and have something to prove.
WILLOW serves the shuttlecock. VIRGINIAÂ slams it back for a winner. WILLOW lobs to LOUISEÂ who serves. DIANEÂ volleys back. LOUISE volleys. 
Yes, it’s badminton; there’s lots of volleying. I’ve inserted the glares, exclamations, even a bit of profanity, but it’s still flat. And so I took them out again. It was too stuffed and pointless.
The key in these sporting moments is in the stakes, as the script gurus say, making the winning proposition more than a game. Something real.
It’s not the game that matters, but why they’re playing it.
VIRGINIA (Slumping over the shuttlecock): Fucking birdie.
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