Who Will Play Me?

Listening to Jafar Panahi speak about his film It Was Just An Accident made me think about my life, the things that I do, the things that I say I’ll do, my half-baked words and actions, the things that make me the regrettable quagmire of contradictions that I am.

I know one thing and one thing only: time passes. No matter the tastes and pains, the magic and nothingness-eses, that’s what it does. It passes.

I’m on the side of a narrow, cold channel. The lighthouse is in the distance. I take off my boots and socks and make my way across the kelp and rocks, expecting to fall, my body to wash out with the tide, found in the years to come, a human interest story on the northeast tip of Sanday Island in the Orkneys.

It is not as difficult as I imagine and brush the sand off my feet as I examine the small bird skull. The path winds beside a fallow field. The nettles are thick. I look back, wondering if the tide is already rising and I will be stuck here for the night. The lighthouse is fenced in and fully automated.

I return along the coast and am dive-bombed by oystercatchers. They screech and shit, and I scream back and throw rocks. They terrify me.

The tide rises, and I walk in the knee-deep water. There is an ancient tomb at the side of the road, but it has been covered over. Sheep stare back, their bodies oddly sheered and painted blue. I want to write, but I don’t know what about. Something true and real. Something fantastic and simple. Something about what I was doing here. Can oystercatchers be trained? And who will play me?

Ken Kesey’s Cuckoo’s Nest

The magic of Ken Kesey’s One Flew Over the Cuckoo’s Nest is in the point of view, Chief Bromden sharing his thoughts on the insanity of life.

The Big Nurse is able to set the wall clock at whatever speed she wants by just turning one of those dials in the steel door; she take a notion to hurry things up, she turns the speed up, and those hands whip around that disk like spokes in a wheel. The scene in the picture-screen windows goes through rapid changes of light to show morning, noon and night – throb off and on furiously with day and dark, and everyone is driven like mad to keep with the passing of that fake time.

But generally it’s the other way, the slow way. She’ll turn the dial to a dead stop and freeze the sun there on the screen so it don’t move a scant hair for weeks, so not a leaf on a tree or a blade of grass in the pasture shimmers. The clock hands hang at two minutes to three and she’s liable to hang them there till we rust. (71-2)

Writing Process: The Cat Inside

A spark is needed to start writing. And the trick is to allow that thing to turn into something substantial before getting at it. This can’t be forced or ignored. It’s like a cat. She pretends she doesn’t want to interact, but she does.

Popo watching

You just have to wait, even when she is sitting there. She needs to be coddled. Oh, no, not coddled! My mistake. That can’t be said, even thought. Appreciated. That’s the word. Appreciated.

Popo watching still

Play with her. Stroke her face and sides. She will go with that. And then it’s great fun and games, moving ahead like it was nothing at all. Why weren’t we always here? Simple as that? And then she is gone, quick as it started, and it’s a matter of waiting for another round

Writing Process: Tapping the Id

I am not one for dream scenes with the character lost in their heads; this is the part of the story where I lose complete interest. That’s not to say that these images aren’t a wellspring of inspiration, the pure of the id as it were, that can be woven into the narrative, like John Savage fear-grunting in The Deerhunter or Tanner Mayes clinging to her necklace.

What makes a story isn’t the arc, conflict and resolution but how it accesses what it means to be conscious. The western world seems bent on burying all of that fine stuff just to fill our pockets with more things and regret.

I didn’t dream of beer but of eating Checkerboard ice cream, spilling it all over, and I was jealous of that person and dreamed myself back to my old university where I was living on my own, shitting in the sink, not even closing the door.

I love the mania of getting into this, slopping through these base things, finding what might be next, making clouds so that I might escape into a tiny convoluted body and fly again. None of this has happened, but I think that it might. It’s about knowing that unknowable thing within.