The Real Problem with Phil Kessel

Phil Kessel started the summer with the Stanley Cup at Sick Children’s Hospital in Toronto. kessel-jpg-size-custom-crop-1086x724He ended it with an amusing tweet on being left off the USA team, losing all of their games at the World Cup of Hockey. cs5f9ucvuaaf4u4-jpg-smallCoach Tortorella – and few players – took offense. They expect that everyone do what they’re told, that you shouldn’t express an opinion, no matter how relevant. Screenshot (964)People dislike Kessel because he’s his own person, because he thinks. Which says a lot more about them.

Ice Friday: Ned Hallowell’s “Flow”

“To reach flow,” explains psychiatrist Ned Hallowell, “one must be willing to take risks. The lover must be willing to risk rejection to enter this state. The athlete must be willing to risk physical harm, even loss of life, to enter this state.IMG_3366 “The artist must be willing to be scorned and despised by critics and the public and still push on. And the average person must be willing to fail, look foolish should we wish to enter this state.”*

(*From Peter Diamandis & Steven Kotler’s Bold.)

The Ark: Pitching the Trilogy

The Ark: A speculative fiction trilogy, chronicling a transgenerational journey to a galaxy lights years from Earth. Stark and startling, the story conveys an essentially tragic aspect of humanity, impossibly aspiring to escape its barbarous nature. screenshot-1081Part One: Anori The opening of the trilogy follows Dee Sinclair, an animal psychologist, as she learns of Anori (Greenlandic for ‘wind’), a highly advanced space venture, privately funded by a technological empire. After visiting the expedition base in Greenland, she joins a scientific team to collect animal specimens from across the world. Dee eventually returns to New York where she learns of the program’s experiments in cloning and meets the very replica of herself. As world powers attempt to gain control of the Anori, Dee escapes back to Greenland, where she is soon joined by her clone, Em, on the final liftoff to leave Earth. 20150708_130213Part Two: Aqaara The Aqaara (meaning both ‘close’ and ‘far’ in Greenlandic) waits in lunar orbit as they attempt to placate the authorities on Earth and finally depart on their interstellar migration. Mourning the loss of families and friends, Dee and the 3,000 other Aqaarians adapt to life on the vessel, constructing a society dependent on technology, including The Bearing, an information and gaming implant, and create new social norms, such as The Hive, a zone for hedonistic behaviors. Murder and betrayal challenge the community’s standards, and an essential law is introduced to maintain order – F1 is the law. There is no force other than the ship. A previously undiscovered planet appears as an opportunity for colonization, resulting in a near mutiny. The Aqaara stays its course and, at last, enters Mina’s orbit, a planet that truly is much like Earth. screenshot-962Part Three: Mina Mina (meaning ‘taking home’) appears much like Earth, offering a wide range of climates, vegetation and species, as well as an oxygen-rich atmosphere. A Greater Sun dominates the planet, with a Lesser Sun in a parallel orbit, meaning the planet is rarely in darkness. The initial exploratory mission encounters many species – both predatory and intelligent – while they cope with their internal struggles, having spent 30 years on board The Aqaara. Other missions arrive and the community begins. Many people remain aboard the ship, mining nearby moons, as well as considering continuing the mission. The two groups become polarized, verging at times on violent conflict when further explorations of Mina yield an astonishing result – they are being observed. 20150801_110528

It’s time to go. 

Anori Outtake: At the Doctor’s

“I went in to get a replacement a few years back. They had me sitting on the edge of that plastic mattress in a green paper dress and the surgeon drew a pair of red x’s on my knee. A nurse showed up with a clipboard of forms, the anesthesiologist with more. I decided that I wasn’t going to surrender. I wouldn’t sign. The surgeon had to come back. He stood in the doorway with his arms crossed. He explained everything to me like I was a child. I wouldn’t do it. And so he left. No one came for a while after that.” 
20151115_171136“You chickened out?”

“I don’t know about that. I don’t know. I remember the feeling as a kid, when I had the first surgery. I was cold. And then nothing. I didn’t want to surrender just because they said I should.”

“I broke my hand. They put me out before I knew it.”

“You have to sign.”

Ice Thursday: The Lousy Prose of Michael Chabon

While travelling, I can endure nearly anything in my reading. Michael Chabon does not make this grade. Wonder Boys, as a film, is distracting, entertaining at moments, while the book is the drivel of a writer – the Pulitzer-Prize-winning author?!? – who does nothing but show off. IMG_3362His painful example of this is in his description of Sara Gaskell, who apparently likes to read: When (her books) ran out, she would reach for insurance brochures, hotel prospectuses and product warranties, advertising circulars, sheet of coupons.

In other words, Chabon avoids developing thoughts and instead wants to demonstrate what a clever little fellow he can be.

In my youth, I had an odd habit of reading books based upon films – Rollerball, Earthquake – perhaps to relive the cinematic experience. earthquake-02

It’s why I started Wonder Boys, and yet Chabon fails even with these low expectations.

Anori Outtake: Alone in the Garden

She closed her eyes, found herself in her grandmother’s garden, between the towering tiger lilies, orange and black, and the peeling green slats of the back fence, the pale blue sky, the telephone wires sharp against the branches and wisped clouds, distant clicks and hushes coming from somewhere she would never find, and let herself slip deeper into that, so tiny and large, holding the dirt against her body, dribbling it awkwardly, scared of what she was doing, thinking about who she was and how she was there. p1010402She liked that, to suddenly think like that, like she wasn’t something else, and then thinking that she should laugh and almost drowning in that.

Looking-Outness in Film: Murnau, Ozu & Varda

I dream of looking outside the image.

F.W. Murnau's "Sunrise: A Song of Two Humans" (1927)

F.W. Murnau’s “Sunrise: A Song of Two Humans” (1927)

Escaping from the frame.

Yasujiro Ozu's "Tokyo Story" (153)

Yasujiro Ozu’s “Tokyo Story” (153)

Considering what could be.

Agnes Varda's "Le Pointe Courte"

Agnes Varda’s “Le Pointe Courte” (1954)

Getting my head on different.