You think you know. And you do. You know what’s being said.
And you go over, ready to do say what it is, forgetting that it’s a program, just a program, and then you forget.
Programmed to Forget
Tag Archives: knowing nothing
I Have An Expiration Date Too
I’ve been hearing the rabbits screaming at night. Have you been hearing that? I was told that it’s just the dogs killing them.
As soon as the veil goes down, that’s when I thought I would know something. But then it wasn’t that. I was just pretending, and that was it.
I’m here. I think I know that. I mean, I look back and remember most things. But I remember who I thought I would be. And I’m good. Almost.
Who I say I think I am
I try to think about who I am and what I know, but I don’t know what any of that means. It’s a thing off in the distance, someplace that I thought I might have been, even convinced myself of that, and have now lost.
I know what I want to be. No, that’s a lie too. Even if I said that I knew what I want, or that I thought that I knew that, I wouldn’t. The more I think that I know the who and what, the more I’m further from it because I think that. It’s a façade.
Confidence is the thing, believing in those lies is what makes you that you in you. The deeper you get, the further you are from the same. A gosh-darned paradox!
And so…something else. Drugs and whores! No confusion there. Or all confusion. Signs of it all gone awry. At least it’s not a façade. Or the façade of facades. Good copy anyway.
The Doubtless Duplicity of Doubling Down
It’s the magic of believing in the nothing, of knowing something exact, the birth of the universe or if the Leafs will cover the spread. And if Matthews will score on top of that.
That is the grand mystery and how dare you imply I don’t have that? Because I do. Or did before you shut down my account.
Writing Process: Knowing Something Clearly
I feel like I know something now, something with clarity. Or just not so lost. Might have even got somewhere. Probably not. But I feel like that.
I’ve never known who the hell I am, and now I’m thinking that I just might. I am a white male, and an older one at that. But that’s not it. I’m not even an asshole, like so many people have said. I know that’s just them being lost and new.
I have come to somewhere and I know something about that. It’s not much but it feels like it might be something. I just hope that I can sell and then get that Malibu estate, be surrounded by beautiful people and complain about the masses.
And how great it was getting to where I got.
Writing Process: Finding My Self
Reviewing my notes for the Young Chronicles section of this blog reminds me of how little I had a sense of who I was as a young man. More to the point, it makes me realize how much I remain the same person. My sense of self lost in mist.
I am a writer. I know that. I’ve been writing for 37 years – novel after screenplay after novel – but remain unpublished. I’ve also taught for 22 years and enjoyed that. But I feel more the actor on that stage. I do not belong there, as administrations remind me again and again.
It is not that I need praise for my work. That isn’t it at all. Writing is definitively the most comfortable place in this world, a refuge from the blur and nonsense, where I truly know who I am. But it is fleeting. I come back to here, this blog, and think that maybe I’m not.
Young Chronicles: Hitchhiking Summer 1983
I hitchhiked across Canada in the summer of 1983 in search of something. I told everyone that I was looking for Canada’s soul – sad but true – but it was clearly more about me.
10,000 miles and 110 different rides later, I can’t say I found anything much but laziness and fear. Not to say that I didn’t try. I stayed at Cavendish Beach in Prince Edward Island, buying enough peanut butter, jam, bread and juice for three days and thinking, “Okay, I’m going to really dig into self-reflection now.”
But I didn’t. I just read, wrote nonsense and walked around, counting down until I could eat another sandwich and have another juice. I was marking time, nothing more.
I did two things with regularity on the trip: take self-portraits and write nonsense. This was my path to becoming a writer and developing a sense of self. That’s what I told myself.
But it all rang hollow. I was closed. To myself and everyone around me. The writing was horrendous drivel, and I just kept looking down the road to see what might be next.
Writing Process: Not Knowing Myself
This blog has been effective at turning over the rocks from my childhood, dreams and half-realized works. The Young Chronicles in particular has been telling as it reveals my lack of identity; I distinctly remember having clarity when I was eight years old and then none on my hitchhiking trip eleven years later.
I was always on edge, unsure of where I was, scared to camp alone, scared on the side of the road, scared of riding in stranger’s cars. I wanted to be somewhere else and, when I got there, somewhere else again.
I found vague clarity a few years later in between tree-planting seasons, camping with my cat Popo in the Gulf Islands, reading dawn to dusk, but still scared of sounds in the night and the dark waters, of being alone, but nevertheless running away from others.
That’s as close to a sense of self as I have ever come.
Anori Outtake: Watching Adults
“I read about you in the newspaper.”
“My life’s a scandal.”
“My mother cried when she saw that story. I remember looking at the picture of your house. It was dark behind the trees. I didn’t understand.”
“No.” Dee traced her finger on the swirling lines of the granite. “You didn’t read about that.”
“I remember my mother talking about it at my uncle’s, standing by the fireplace. I was looking into the fire, watching the logs move forward and fall into the ashes.”
“My aunt told everyone about your father crashing his motorcycle, and they were talking about you. These people were all above me, adults talking like they knew things. That was the moment when I knew they didn’t. They knew nothing. They were scared. They just said these things that filled the air, that it was tragic and you were poor girl and there was nothing anyone could have done. And I looked at this fireplace and was suddenly terrified. I had felt like I was safe, that the fireplace meant something, the food on the table, the glasses in their hands, but it meant nothing. Everything was nothing. Nothing was nothing. It wasn’t just a word. It was all I knew.”