I try to think about who I am and what I know, but I don’t know what any of that means. It’s a thing off in the distance, someplace that I thought I might have been, even convinced myself of that, and have now lost.
I know what I want to be. No, that’s a lie too. Even if I said that I knew what I want, or that I thought that I knew that, I wouldn’t. The more I think that I know the who and what, the more I’m further from it because I think that. It’s a façade.
Confidence is the thing, believing in those lies is what makes you that you in you. The deeper you get, the further you are from the same. A gosh-darned paradox!
And so…something else. Drugs and whores! No confusion there. Or all confusion. Signs of it all gone awry. At least it’s not a façade. Or the façade of facades. Good copy anyway.
I know exactly who I fucking am. I have no fucking clue who I am.
These phrases go back and forth in my head like Mrs. Mulwray’s cries as Jack Gittes slaps the shit out of her in Chinatown. “She’s my sister! She’s my daughter!”
I lent her my car and then needed it to go out to the graduation. We drove together and kissed goodbye.
I ended up in a misshapen entourage of graduates as they exited the cathedral and watched them make a mockery of decorum and distancing protocols. They were having fun and the school had to let it all go.
They took me along, and I should have left at my first opportunity, but I’ve always been told it’s a free world, and so I stayed until I had had enough of my mistakes.
The judge accepted all of this, as did my counsel. But not me. I think about what happened and what could have been.
Reviewing my notes for the Young Chronicles section of this blog reminds me of how little I had a sense of who I was as a young man. More to the point, it makes me realize how much I remain the same person. My sense of self lost in mist.
I am a writer. I know that. I’ve been writing for 37 years – novel after screenplay after novel – but remain unpublished. I’ve also taught for 22 years and enjoyed that. But I feel more the actor on that stage. I do not belong there, as administrations remind me again and again.
10,000 miles and 110 different rides later, I can’t say I found anything much but laziness and fear. Not to say that I didn’t try. I stayed at Cavendish Beach in Prince Edward Island, buying enough peanut butter, jam, bread and juice for three days and thinking, “Okay, I’m going to really dig into self-reflection now.”
Sad, lonely view from my tent at Cavendish Beach, PEI
But I didn’t. I just read, wrote nonsense and walked around, counting down until I could eat another sandwich and have another juice. I was marking time, nothing more.
Trying to look confident and cool at Mile Zero in St. John’s, Newfoundland.
Self-portrait on the side of the road in Prince Edward island
But it all rang hollow. I was closed. To myself and everyone around me. The writing was horrendous drivel, and I just kept looking down the road to see what might be next.
Despite the recent excitement of vaccine and Trump’s repeated failures at the polls and courts, the pandemic drags on. I learned to appreciate the term “Toxic Positivity” over these past days. As Uncle Joe says, a dark winter awaits, meaning that I have learned to reflect more regularly on the utter of pointlessness of this existence and, ipso facto, survived multiple waves of depression and despair.
Mouse blends back into his environment at the Bronx Zoo.
On a more concrete note, I had my bank account cleaned out by a fraudulent check and await the fire marshal’s clearance to helped my wife salvage what we can be from her office which was destroyed by fire.
The remains of Middle Collegiate Church in the East Village, New York.
On a more positive note, I have applied for jobs in all five New York City boroughs as well as Paris, Helsinki, Lisbon, Lucerne, Lugano, Rome, Newport, Atlanta, Havana, Cayman Islands and Kathmandu. I have also rewritten the first 110 pages of Anori, with some satisfaction.
I want to write like music. I want to write in a sustained sound. I want to write in a loop that goes around, on and on. I want to write with never-ending tension. I want to write like the opening of a door, the scuffle of feet, the distant sound of something coming soon.
My Bloody Valentine, Hammerstein Ballroom, 2010
I want to write like I dream and see my mother, looking young and sharp, in the car with me to the airport, our bags overflowing out the back, a starship flier picking us up before we even get there, continents vanishing in steam.
View from Crown Mountain, BC
I want to write like it was left unsaid, like eyes see. I want to write in a burrow, like roots to rocks. I want to write words that mean something else in their unconscious self.
The Young Chronicles detail my 1983 hitchhiking trip across Canada. Having completed the initial Toronto to St. John’s, Newfoundland leg of the journey, this section covers the return trip back across Newfoundland.
June 16, 1983 Mileage 35 miles
Ride One: Fortune to Grand Bank, Newfoundland. Old turquoise pickup truck. 23-year-old man with toothy grin. Wants to get out of Fortune.
Ride Two: Grand Bank to four miles down road. Old pickup truck. Toolbox. Nice man.
Ride Three: To Marystown. Pickup truck. Young guy, moose hunter, works on the oil platforms, six months on, six months off. Off to fish in Gander, Labrador soon.
Stayed in Mariner’s Lodge run by an old guy. “Been everywhere and know everything.”
June 17, 1983 Mileage 418 miles
Ride One: Marystown to Clarenville. Old car. Squeaky 200-pound moose hunter.
Ride Two: Clarenville to Trans Canada Turnoff. Blue pickup truck. Middle-aged guy with no right hand index finger. Electrician moose hunter. Loves screech and special mild cigarettes.
Ride Three: TCH Turnoff too Gander. Old Blue car. Old lady who told story of mongoloid children from a little red bible. “God bless you.”
Ride Four: Gander to Corner Brook. Old Buick. Young guy who took pictures and hunted moose. Quiet except about moose.
Stayed in Bridgeway Motel with two beds. Upcoming Red Rider concert advertised heavily on radio. Ate a hamburger at an old diner. Still cold. High of 24.
June 18, 1983 Mileage 137 miles PLUS ferry trip back to mainland
Ride One: To “a better exit”. Small car with a guy and girl. “I’ll show you a better exit.”
Ride Two: Corner Brook to Stephenville. Canadian army truck. Guy looked a cartoon character with lips jutting out. Moose hunter
Ride Three: Stephenville to roadside bar 25 north of Port-Aux-Basques. Three guys on a multi-day bender. Doug (groom-to-be, bearded, driver, calm, scar on cheek), Pat (married two years, former speed user), Brian (married three years drinker, mustache) and Tefel (fellow hitchhiker, insecure, loves high speed driving).
Doug, Pat, Brian and Tefel holding the spare tires that acted as back seats.
These guys are all moose poachers and have been jailed four times each. No back seat in the car. Spare tires instead. Shared bottles of beer. I had four. They took us to dump to look for bears and threw empties into the garbage pile. Left them at the bar.
Ride Four: Roadside bar to Port-Aux-Basques Ferry Terminal. Light brown sedan. Mustache and overweight. “Keep all your lanes open in music.”
Every once in a while, it occurs to me that I’ve been writing for a long while, over 36 years now, writing my novels and screenplays, short stories and articles, and I have yet to get it anywhere of import, nothing but meaningless articles published in community papers.
I wrote opinion pieces for in college as well as for local newspapers in Toronto and Vancouver in the 1990s.
It has dawned on me that I might not be that good, that, as much as I pretend to deny my desire for vainglory, I crave it as much as the next. It may also be that my writing is bilgewater (my father’s expression), that I drivel on because I am on immature autopilot.
However, my extreme subjectivity understood, I don’t think so. I believe that I understand what’s in a character’s head, what moments mean something and what others do not, what this experiment of ours, humans that is, might or might not be, and that I can express that in words and phrases. My thoughts burn ahead. (Which might explain why I always get fired.)
Midsommer’s Dani looking for truth or something like it.
Anyway, that’s the trickery inside that pushed me on here, ready to take on the big bloggers like Gala Darling and Heather Armstrong and say, well, you know, I might not know marketing and key words but I do know something about…uh, not so sure what that is, but, fucking hell, I have Zake’s Orchestral Studies Collectanae looping in my head, and that has to be worth something.
Writing might be hell, but it’s also nakedly divine. Being in there, not knowing what might be coming next, not thinking about it, but looking forward to the words as they sort and bloom, or maybe none of that, but writing wildly with electronic music and gummy bears in my head. That is serenity for me.
Hastings, UK (1989)
It’s a hard thing to wiggle inside of, get my arms out and understand, but I do know this place. It is quiet and everything, tiny and never there. It is impossibly so, a sideways, half-mirror thing, dipping into dreams and memories, imagination of what could be, all of it as concrete as anything, more so than anything else. I know in this place.
McPhedran, Kingston (1986)
I do know about this shitty world, this place we share and begrudge, but I do think that I could help it be something else, not really exactly that, but imagine something like a child. And there is something orgiastically real about that.
