Alberto Moravia writes in The Voyeur:
What matters most to writers is not the things he writes, but how he writes them. 
Alberto Moravia’s novel Boredom follows Dino, a struggling artist, in his attempts to escape the burden of his family’s wealth.
I asked: “Well then, are we rich or are we not?”
For a moment my mother sat silent, looking at me with a strange solemnity. Then, leaning toward me and lowering her voice, she said: “We are not rich, Dino, we are very rich. Thanks to your mother, you are a very rich man.”

“‘Very rich’ means something more than merely ‘rich’.”
“But less than ‘extremely rich’?”
“Yes, less than ‘extremely rich’.” 
Alberto Moravia’s The Woman of Rome offers an almost dispassionate first-person account of a woman who consciously turns to prostitution to find herself. 

How strange to find these words uplifting.
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