Apollo Film, Scene 3 (Part One)

Another potential Apollo film: Dee stays at her sister Crystal’s apartment where Crystal’s boyfriend, Derek, is over for dinner.

DEREK: Want to hear my cop down story? (Puts down his hamburger): I mean, just seeing a cop on his little bicycle is enough, isn’t it? hamburgerAnyway, he’s going along, Dum de dum, right? And he sees something up ahead, and this car door opens up right in front of him. Bam! Cop goes flying, head over heels, and lands right on his ass. (Laughs, food coming out of his mouth) He’s just lying there and the guy in the car is looking down at him like he’s committed assault, right? multi car crashHe’s thinking he’s going to jail, and the cop pulls the radio off his shoulder and yells, ‘Officer down! Officer down!’ The driver jumps back like this, right? He looks like he’s going to take off now. Holy shit, I couldn’t stop laughing. Those guys are fucking babies.

CRYSTAL: You’re such a pig. (She suddenly gets up, goes through the piles of papers and garbage on the table and television, and opens a fresh packet of cigarettes.) A woman smokes a cigarette indoors in an undated file photoDEREK He had his little ticket book out before he was even off the ground. That’s fucking New York.

CRYSTAL: New Yorkers are so full of shit. If you tell them to beat somebody, they’d do it. Everyone will. They’ll say they do it because they’re afraid. That’s bullshit. beatenupThey do it because they have the permission. They want to. They want to do it before it’s done to them.

DEREK: Be good, babe. (He picks at a scar on the back of his bicep and shrugs at DEE when he catches her looking) It’s just an old burn.

DEE: I couldn’t do that.

DEREK: What?

DEE: Be a fireman.

DEREK: Fire fighter. We fight them. We don’t make them.

DEE: Fire fighter then.

DEREK: It’s not for women. femalefire CRYSTAL: Only misogynists.

DEREK (Answers his phone) Yeah? (Pause) Who? (Pause) No. (Pause) Where? Where you at? (Pause) Call Ricky. He’ll get you. (Nodding anxiously) Yeah, call Ricky. He’ll be there.

CRYSTAL: Missing a party?

DEREK: A couple of the boys got off the wagon. (Scrolls through his messages) They’re good.

CRYSTAL: My fire fighter hero.

DEREK: Let me tell you something…there is nothing like making a save. Nothing in this life, there is nothing like that.

CRYSTAL: So you’ve said.

DEREK: You go into a place where people die. You bring them out of that. It’s the best thing a man can do.

DEREK throws the empty ketchup packets at the garbage and misses. APOLLO jumps after them, banging into Crystal’s legs. IMAG2381CRYSTAL: Fucking dog! (Kicks at him) Move! Fucking move!

APOLLO jumps back and darts into the bedroom.

CRYSTAL: That thing belongs in the zoo.

DEE: He was just playing.

DEREK: You know who the boys ran into? Fucking Stevie Wright.

CRYSTAL: Who’s fucking Stevie Wright?

DEREK: From Woodside. Spring Match.

CRYSTAL: The guy you beat up?

DEREK: It’s boxing, babe. I didn’t beat anyone up.

CRYSTAL (To DEE) It’s the annual punch-up between the police and fire departments. Real high-brow stuff. Derek won last year. US-BATTLE OF THE BADGESDEREK: Beat the crap out of him.

CRYSTAL (Pulls her sweater sleeves over her palms, spreading them out): But you love making the saves, right, baby?

DEREK: Don’t get all pissy because of a fucking dog.

Ancient Ice: my bad side excerpt

I was cold and afraid. It was too big or I was. I leaned forward to get my sense back and banged my cast against the gunwale. IMG_3389The sound echoed back, low, like the closing of a door, and the white wall went out of focus and I blinked to make it clear and it was broken, the spires gone, what looked so small and distant, and dissolved like a monster into the water, splintering in a massive rush, dissolved like snow. Part of the other side slipped off too and another shelf, each part vanishing into the water. IMG_3391It spat back up in a lurch of bright blue and ice, rushing out of the darkness right at us. My head was empty, my hands balled tight. Ray ran in a short heavy stride to the cabin.

“Take that, b’ys.” Charlie slid the oars to Fitz and Tommy, and they dug them through the water, hardly moving the boat. Another section of the iceberg rose up out of the water, dripping, and collapsed. cropped-IMG_3380.jpgThe vibration of it came up through the water into the boat’s floorboards, a humming, hollow and deep, a pure force, and then a rising in the water, a vast dark thing, coming toward the boat. Ray couldn’t get the boat to start, and as much as everyone was doing, scrambling and pushing and turning, banging, no one spoke. IMG_3127The silence was louder as the wave rolled up to the bow, Apollo and I there, and pulled us up, higher, steadily to the top and back down again. The second wave was bigger. We couldn’t see what was left of the iceberg now, everything gone, and I was almost panicked, thinking it was too high and we would go under. We rose up, the stern coming up past us, shards of ice at the bottom of the next wave. I stepped back with it, thinking it was easy now, and lost my balance as the third wave came, almost as big, and my foot was sliding out and I was fine with that, and would have hit my head against the bench if Fitz hadn’t caught my arm and put me back on the bench. cropped-IMG_3221.jpg“That’s 10,000 years old,” he said. “It was snowing 10,000 years back and then it got all packed and floated down here. 10,000 years of history that is, before the Vikings, before the Romans, before the Greeks, the Egyptians, the Incas, the Mayans, everybody. People had just got out of the caves and begun the farming then.”

my bad side: Manhattan by boat

The boat circled below the island with the sun setting over the broken horizon, the clouds going after it, pulling each other together in the red and blue. Manhattan skyline (6)There was a pool with bright blue chlorinated water like in Florida, so square and odd in the back of the boat, the river water gushing past. I sat in the corner looking at Crystal with her back to everyone, looking at the city, her elbows poking out, under the 59th Street Bridge and looking up at the dark mass, the dirt and cables, the shadows of the cars and trucks, and sank into how almost safe and eerie it was.Phone 200 Lisa was in the pool and singing to Chumbawamba, delighted in herself, drinking shots, and laughing convulsively, doubling over and then trying to get out of the pool and throwing up and almost going over, and then crying, Ian holding her and then their mother, and it was sad and worse how separated I was from it and didn’t care. OooooI watched the boat turning the corner, going into the Harlem River and seeing the city, the steep hill up into the Harlem, how green and wild it looked, and then the Bronx on the other side, flat dull and grey, highways and warehouses and nothing else and then Yankee Stadium, as dull and grey as everything else.

Apollo Film posted

Apollo has just been posted onto vimeo. IMAG1642The 5-minute film follows Dee as she comes home to her New York apartment to find a drunk fire fighter with a knife in his hand and her dog, Apollo, bleeding on the floor. IMAG1649It is begins with an evocative opening shot, followed by a hypnotic sequence in a car. IMAG1659It is a compelling work – acting and technically solid. It’s well worth your time!

Another “Bad Side” film

I have written the first draft of a second Bad Side script. It follows Dee on the train with Apollo north out of the city.

The train inches past the soot and cables, the decrepit buildings, twisted rust jutting out, bottles and shards, an animal skull on an electrical box, and then is on a bridge. DEE wraps her hand, stiff and fat, in a sweatshirt. The conductor approaches, his hat pushed forward; he is older with a thin face and empty eyes.

 CONDUCTOR: Ticket?conductorDEE: I gave it to the other guy, the one before you.

CONDUCTOR (Looking at Dee’s cleavage): Where’s your receipt?cleavageDEE: I must have thrown it away.

CONDUCTOR: Which is it? You threw it away or you gave it to the other guy?

DEE pulls her dress out from her legs. There is a stain on the waist. It looks like blood.

 DEE: I didn’t think I needed it.

CONDUCTOR: Where are you going?

DEE: Providence.

CONDUCTOR: Got on at Penn? (He looks down the aisle and then back at DEE) I have to write you up,

DEE: What does that mean?

CONDUCTOR (Opening his ticket book): What’s your name?TicketDEE (Pulling a hoodie from her bag): Crystal Sinclair.

There is a long pause as CONDUCTOR writes out the slip and then hands it to DEE.

 CONDUCTOR: You mail it back to the address at the bottom.

DEE: Mail it?

CONDUCTOR: The fine.

DEE: Can I get a water from you?

CONDUCTOR (Leaving): The cart will be through.The snack cart & woman on the train.

“my bad side” book jacket

I’m off to another writing conference this weekend and have put together a first draft for a book jacket blurb on my bad side:

Deirdre Sinclair comes home late one night to find her sister’s drunken boyfriend armed and her prized exotic cat bleeding at his feet. She decides to shoot and asks questions, then fleeing the city to Canada. Dazed and injured, she remembers her tiny legs dangling from a high chair, her infant sister, Crystal, pulling cereal off the counter and their mother dead on the floor, pills scattered about her head. serval and girlDeirdre’s journey with Apollo to the barren landscape of Newfoundland forces her to confront her fears and loneliness, bringing to mind her isolated childhood, her years at a boarding school and an aborted practice as a veterinarian before moving to New York in an attempt to reconnect with her sister. Immured in alcoholism, Crystal shuns her sister and keeps the world at bay with her boyfriend, Derek, a fire fighter who lost his company in 9/11, and who has developed a chronic obsession from working at the site. Deirdre makes a dramatic turn from working with abandoned animals to the escort industry and performance sex in her attempt to come to terms with her traumatic youth and a moment she cannot remember, a memory she cannot forget.

my bad side: The Birthday Party

In the midst of polishing my bad side, I have had to dramatically edit – and shift – a key moment in Dee’s childhood, a birthday party for which she had supreme expectations. As part of my mourning process, I present the scene here unabridged:

Janey’s birthday invitation had a picture of a bearded pirate in a red jacket and giant boots; his arms were in a blur, throwing cream pies in a whirlwind at scattering parrots and kids. The invitation promised games and ice cream, treasure hunts and goody bags, but all I could think about was the pirates and their swords and chain belts, all of the thundering, spitting and swearing, and how we would run with crazy legs, the birds swooping over us, screaming and squawking, all of us caked in thick balls of cream and chocolate. PirateI couldn’t believe that such a thing was possible. I lay awake staring up at the long line of light from the bottom of the window. I had crazy laughing in my head. I was going to be throwing food. I was going to be throwing pies. I was going to be dancing on tables and running from pirates. Everything was going to be crazy bright and wild. It was just so amazing. I had never been so excited in my life. I have never been since.

I couldn’t do anything that day. I stared at the TV, went through the channels, and turned it off. I looked out the window. I waited in the front hall. I turned Nani’s porcelain dogs around and around. porcelain dogsShe took forever to come down the stairs, and then she had to get her purse and then her coat. And then she couldn’t find her keys.

“Nani, come on!”

She stopped and looked down at me. “Dee, if you don’t stop this nonsense this minute, there won’t be any party.”

I waited while she found her keys and then put on her lipstick and backed the car out of the garage. She made the turn out of the driveway purposely weird and long. She drove as slow as she could. I tried to sit properly but I was stiff. My shoulders were too far back. My elbows were banging into everything.

“Is this Smithfield?” Nani slouched forward, looking at the signs. “Woods? Where is Smithfield then? I’ll have to turn back here.” We went around the block and stopped and then came back to where we had been.

“Nani!” I was going to get out and run.

“Stop your nonsense, Dee. Just stop it.”

little_girlI stared at the corner of the window, the black rubber bending out, knowing that I was missing everything, that the pirates were stampeding the room. It was hot in the car. I punched my elbow down.

“I’ll just take you home then.”

“I’m sorry.”

We turned and then again and were on a long empty street that ran to the river. We were in front of a brown brick building with glass doors and a black awning J & L Boutique. “Can you read the address, Dee?”

“This isn’t it, Nani.”

“What’s the address?”

“I’m going to miss the party.”

“What number is it, Dee?”

I looked up and down the street, looking for a running pirate, a stray bird, a fleeing child, anything, but there was nothing, just the number above the awning. “327.”

“This is it.”

“No, Nani. It isn’t.”

A woman came outside; it was Janey’s mother. I didn’t understand that. She opened the door and led me down a small set of stairs and then a wide room with a low ceiling and long checker-clothed table with stacks of Pittsburgh Pirates Styrofoam plates and cups and a bowl of plastic forks and knives and a green cake covered in cellophane. All of the kids were sitting along a bench against the wall, under a Pittsburgh Pirates flag and orange and black streamers. There were no pirates. There were no parrots. There was a fat man in a Black Flagblackflagtshirt T-shirt and apron and two guys beside him, one with a wet brown beard, the other in a tight black shirt, leaning on a plastic mop. The Black Flag man waited until we were all sitting on the bench with our feet flat on the cement and told us to stay while the other two squirted globules of Reddi Whip onto the Pittsburgh Pirates plates. The Reddi Whip cans made crummy slurping sounds. The Black Flag man told us not to move, to wait until it was our turn even though there was nothing to do. The worst of it wasn’t that his pants were falling off his bum or that he was a liar. It was that he was allowed to do this. He was allowed to stand in front of us in his cheap Black Flag T-shirt and tell us what to do. He was allowed to lie to us. I didn’t understand that. I thought I had had something. I had seen the picture. I had seen it. The running pirates were there. The parrots were there. I had had it there in my ribs, my legs, my toes stretched out, big and tiny, my hands balled tight. I had had it in me, entire. I didn’t understand how he could be allowed to trample this cartoon world, this magic, and do this.

The Black Flag man told Janey to take her plate and she tried to throw it, but it flipped around and fell sideways to the ground, and then there was a rush and everyone was grabbing the plates, and it was just a mess, flimsy, slippery and stupid. There was a treasure hunt and sandwiches with the crusts cut off and peanut butter and chocolate ice cream and goody bags, and I had to wait on the bench for Nani to pick me up.Reddi_Whip_Cream_14_oz I took a can of Reddi Whip and smeared it on the Black Flag man’s pants. I was happy about that.

Query Letter revisited

I am off to a writing conference later this week, focusing on how to write a query letter. I have had many versions of this, including a fictional news story as a central element, but I have settled on the following, for the moment at least:

Dear Agent:

my bad side, a work of literary fiction, is a story of one who has nowhere to turn but against herself. Two sisters, tragically orphaned in their infancy, have felt betrayed throughout their lives. Crystal, now 27, knows that she was borne of trauma and surrenders to alcoholism along with her boyfriend, Derek, a fire fighter who lost his company in 9/11. The younger sister, Deirdre, studying to be a veterinarian, arrives in New York and attempts to reach out to Crystal but drifts off into isolation, her beauty and eroticism leading toward a world immured in sex. A hapless shooting forces Deirdre to leave the city and embark on a harrowing journey to the majestically barren landscape of the north where she confronts the terror and loneliness in herself.

Set in contemporary New York and Newfoundland, a tone of thoughtful desperation pervades the narrative; the characters are real, the dialogue and themes vital. Deirdre tells her story with trenchant intelligence, contrasting her childhood against a present-day spectacle of carnality. Her life, like her sister’s, is revealed as a series of moments not in search of contact and understanding, but in how to build a barrier against what might be next.

My writing focuses on thought process, capturing characters’ words and actions in a moment while also giving the reader the latitude to bring their own perception to the work. This book in particular reflects upon my own distance from the world at large, developing my personal empathy for those who have been isolated and objectified in modern-day society.

Sloppy Rejection Letters

Having sent out a few query letters – with summary, sample pages and self-addressed envelope attached – regarding my bad side, I have received the occasional response, although all in the negative. All part of the process, McPhedran! Chin up! IMAG2509Nevertheless, notes such as the above leave something to be desired. While the font might be colorful and fine, the effort isn’t. The little strip of paper isn’t even cut in a straight line. “All the best?” Yeah, right.