Brutus absorbs the impact of Antony’s speech at BAM in 2012.
Thoughtful, sometimes even entertaining, the productions have been well worth the time and expense.
This, however was not the case in this fall’s highly-touted New Wave Series, offering instead half-baked exercises in esoteric nonsense. While my sampling is limited, having attended only four evenings, of those four, three were hardly passable – We Have an Anchor, An Enemy of the People & Hans Was Heiri and one – Bodycast– was probably the worst thing I’ve ever seen in New York. BAM has taken a turn for the worse, indulging in this directionless, tedious stuff and, to add the insult, changed their ticket policies, almost blackmailing attendees into subscriptions. Bad, BAM. No.
And so we’re thinking of doing something different, perhaps subscribing to another theater or maybe even being more drastic than that.
I continue to work on the opening to my novel, my bad side. I have the original, written three years ago, Version One: I liked my face in the cab window, fading in and out with the shadows, my eyes there, my mouth, and then all of me, my neck and chest, my bra strap just there and then gone and just the buildings, the slumped scaffolding and empty street. There was a kind of liquid sound, almost like rain, inside me, a fluid crinkling in my brain, chewing into my ears and down my neck..Crystal said she had brain cancer. She was always saying things like that, determined to be the loneliest, the purest of all. I’d have to call her when I got home.
Two years later, I put together Version Two:I watched my face fade in and out against the shadows and buildings, my eyes and mouth, and then all of me, my neck and chest, my bra strap suddenly there and then gone into the scaffolding and lights, and then a police car, its blue and white lights swimming back and forth, and an officer stretched out against the passenger side, his right leg angled into the road. The cab turned, and my face was in the window again, the flat stone of Battery Tunnel and then the gravel and bent-over plastic fences in front of my building. “$9.40.”
And now, I have a combination of Versions One & Two (without references to Crystal or the police): Version Three:I liked my face in the window, fading in and out with the shadows, my eyes there, my mouth, and then all of me, my neck and chest, and then everything gone, just the buildings, the slumped scaffolding and empty street, Bowling Green locked and empty. The cab rattled heavily over a rutted grate as I watched a line of light glide across my arms, jump down and vanish in a flash across my dress. I was home.
My Bloody Valentine plays Hammerstein Ballroom on November 11
They take turns singing, or seeming to sing; there are no intelligible words, just murmuring beneath the din. The sound builds, seems to get louder – although nothing like their 2008 tour – pauses and starts again, a certain blissed-out monotony, chaotic but not, that wears everything down, until it’s just one long thing, only stopping to breath, all of this until the last song, You Made Me Realise. This final, drawn-out moment goes straight in, vibrates against the organs and veins and fights your heart rate until you feel like you’ve been initiated into a murderous cult. And then they leave, and that’s that.
I’ll be standing there thinking I’m faking it, just staring ahead, and I’ll feel like I’m just pretending, waiting for someone to rush to me, the poor lonely kid with no one to love.I feel like that when I’m doing anything, eating, walking, crying, anything, and I’ll think that when I’m dying too.That’s how I am.*
From the opening chapter of The Ark, Dee takes Apollo out for a walk after Hurricane Sandy:
I took Apollo out toward Broadway. A threatening row of generators, inert grey metal boxes the size of trucks, lined the streets, steel bars and locks, red electric bolts along the rusted edges, thick cables and tubes clumped out across the sidewalk, into doorways, droning fierce metal on metal. A misery came into me, a weighty nothing, the tininess in my head gone. I was worthless. I knew that. It wasn’t just death, the meaningless of that, my stupid realization of my impending deterioration, but the clear pathetic thud of utter meaninglessness. It was this street, this fleeting attempt against the waters taking everything back, the cables and machines, the buildings and walls, huddled in the sharp early light, waiting for the inevitable next. Apollo pulled hard to the garbage truck and pissed.
The latest Bansky frenzy gathered on 24th Street in Chelsea’s Gallery District. Not even NY1 could get through the crowds. Things are calmer back on Staples Street now. Where the Banksy is now under glass.
Workmen arrived at the corner of Staples and Jay Street in Tribeca to box up the Banksy. “Thank god you guys got to it first,” a Banksy enthusiast remarked,
The workman measured the width of the piece. “Oh, they’ll get at it, if they want to.” “At least you’ll slow them down.”
“You can never stop evil.”A Tribecian passed by with his Golden Labrador and blurted out sarcastically, “Oh, my god, it’s art!” The Banksy enthusiasts looked back, a little miffed, but shrugged it off. They continued to watch the workman drill holes around the Banksy work.
“Did you know that you can’t see an original piece of art anymore?” One said a little loudly over the sound of the drill. “You know how many times they’ve painted over the Mona Lisa?”Having tried to take her pictures for some time around the workmen, a Banksy admirer finally gave up and confessed to her boyfriend. “All I got was a picture of that guy’s ass.”A young family squeezed behind, carrying three large wooden crates of apples. “You’re pulling me,” one of the young sisters complained to the other.