The Black Hole in Grateful Dead Releases

By my count, there have been 148 concerts officially released by The Grateful Dead. These releases have come in various incarnations, most notably Dick’s Picks, Road Trips and, the series of late, Dave’s Picks.The Black Hole in Grateful Dead ReleasesAnd while it is a boon for Deadheads to receive any recordings from the archives, a black hole has emerged in these releases – 1982-86 – which is coincidentally the years of my touring. A grand total of four shows have been released from this era –  amounting to only one third of the 1977 releases alone. Even if we excuse the release of all 22 shows from the 1972 European Tour, this works out to a lousy 3% of the releases from almost 20% of their touring years.The Black Hole in Grateful Dead ReleasesSo what gives with Dave Lemieux and company? Is it that these years were particularly weak? I would argue the opposite, that these years offer stellar shows with stellar versions of stellar songs.

Check out these recordings on the Grateful Dead archive and hear for yourself:

Greek Theater 1982/05/22 (Lazy Lightnin’-Supplication)

Madison Square Gardens 1982/09/29 (Loser, China Cat-Rider)

Seattle Auditorium 1983/08/27 (Jack Straw)

Indianapolis Sports and Music Center 1984/06/30 (Shakedown-Playin’-Terrapin)

Worchester Centrum 1984/10/08 (Terrapin-Samson)The Black Hole in Grateful Dead Releases

Augusta Civic Center 1984/10/12 (Cold Rain, Uncle John’s, Morning Dew)

Hartford Civic Center 1984/10/14 (Estimated Prophet)

Oklahoma Zoo Amphitheater 1985/09/02 (BerthaMe and My Uncle, Stagger Lee)

Henry J. Kaiser 1986/02/11 (Bird Song)

Hopefully one day Dave will wake up and get these shows packaged and shipped. (Providence 1986/03/30 is pretty good too.)

Top Ten Hollywood Films

While it is true that Hollywood is a tight box that suffocates individual vision, it also allows for the expense and crew that can make for a distraction worth watching.

10. The Poseidon Adventure (Neame, 1972) You’re going the wrong way!

9. The Fifth Element (Besson, 1997) Multipass.

8. Close Encounters of the Third Kind (Spielberg, 1977) Goofy Golf!

7. Groundhog Day (Ramis, 1993) Stay…stay.

6. Jaws (Spielberg, 1975) Just eats and sleeps and makes little baby sharks.

5. Rocky (Stallone, 1976) Women weaken legs!

4. The Sound of Music (Wise,1965) Nothing comes from nothing.

3. Planes, Trains and Automobiles (Hughes, 1987) You’re going the wrong way! 2. The Wizard of Oz (Fleming, 1939) Surrender Dorothy

1. Cast Away (Zemeckis, 2000) I know you.

 

The Marquis de Sade’s Wickedly Accurate Condemnation

The Marquis de Sade isn’t much of a writer; his descriptions are tedious, his dialogue static, his narrative almost non-existent and his prose little more than a mask for his sadistic tendencies. The Marquis de Sade's Wickedly Accurate CondemnationHis perverse point of view however can be surprisingly accurate, in spite of his delight in the suffering of others, and is relentlessly damning.

Justine, the eponymous character of his novel, never gives up on her fight for virtue, this despite being subjected to the starling perversions of libertines across France – systematic rape, torture, blood-letting and auto-strangulation – and their passionate arguments. The Marquis de Sade's Wickedly Accurate CondemnationStates the Compte de Gernande: The happiness that the two sexes may find in each other can be found by one through blind obedience and by the other through the greatest possible domination. If it were not Nature’s intention that one of the sexes should tyrannize the other, would she not have created them of equal strength? (176) The Marquis de Sade's Wickedly Accurate CondemnationSays Monsieur Roland: The poor are part of Nature’s plan. In creating men of unequal strength, she has convinced us of her wish that this inequality should be preserved despite the changes our civilization would bring her laws. It would be going against Nature’s wishes to disturb the equilibrium that is the basis of her sublime organization, to work towards an equality that would be dangerous for society, to encourage indolence and sloth, to teach the poor to steal from the rich when the rich refuse to help. (216) The Marquis de Sade's Wickedly Accurate CondemnationSays Baroness Dubois: Our laws wish in vain to restore order and bring men back to virtue. Too unjust to achieve this, too inadequate to succeed, they will take people off the beaten track for a moment, but they will never get them to leave it. When it is in the general interest for men to be corrupt, anyone who is unwilling to become so with the rest will therefore be pushing against the general interest. (220)The Marquis de Sade's Wickedly Accurate Condemnation

Monsieur Saint-Florent concludes: The weak must give in to the desires of the strongest or else fall victim to their wickedness. (248)