Dopple Bro

I will myself to believe that there is someone who understands me, not a true love as much as a Dopple Bro.

I cling to the idea, a spasm in my thinking, as I call everyone I can think of from the fire escape, thinking this might be the way in through the razor thin thing to that other monstrous, astonishing thing on the edge of the galaxy, that somewhere that I know not to be true.

It can be imagined in a moment and maybe even felt, but it is nothing, like the dream of wholly loving your child and believing they might feel the same way back. Temporal is such a nice and refined way of saying fuck this place

Blog Post #1501: This One Should Be Big

We live in a mess of a world. Nothing whatsoever points to anything working out for any of us. And, truth be known, we deserve come what may.

It isn’t Trump or Putin or Bolsonaro. It’s the evil of the middle road, making decisions to eke out a little bit for ourselves, convinced that no real harm is done by a trip somewhere nice or buying another bag of chips.

I don’t have a clue what I’m doing. That’s my shitty excuse. I’m always looking to get away, avoid responsibility. I move from one thing to the next with no genuine aspiration, nothing true or wise. I like to write. That’s it. I like to live in that pretend world so that I can think that I know things. Yeah, I’m a stupid kid.

A Childhood Hallway

I remember turning down a street, going around a park, to get home. I think it was called Seyton Place. But I have no idea. The only way I can remember is not think about it. It comes into my head when I am writing about something else.

I can picture the route only at that moment. Not when I think about it. I can see the fence around the back of the baseball field. I can see myself driving. I don’t know why I remember any of it. It doesn’t mean anything, like a childhood hallway or smell, always there but not.

Writing Process: Best Laid Plans

I was all set to have a big writing day. I was going to do a 2-3 hour final draft of Baller, my tree-planting script, and get it ready to submit . And then, after an inspiring workout, I would hammer out 4-5 hours of Fuck Pedagogy, getting out all the nasty details of the year-long arbitration with a former school.

But it was not to be. I didn’t get into the work until late and then realized the opening to Baller needed serious work which stalled everything. From there it was a bad house of cards, finishing up bits of cheese from the fridge and moving plants to more ideal locations on the windowsill.

And then I decided to write this blog and see if that got me on my merry way. I’ll let you know. (Odds are against.)

Update: No.

Fuck Pedagogy

After spending a strange fifteen months applying to schools – 100+ rejections in the end – and a temporary contract online, I’m back in the classroom. It’s a good place to be, not only for me but for my book, Fuck Pedagogy.

As I have mentioned previously, the book is my autobiographical take on education, how many in the industry have no idea what they are doing or if they do, not giving a shit about the students.

I’m not a pedagogical person – “listen to the students and offer what I know” sums up my practice neatly – and I have had my issues with the powers that be. That’s what I’m working on now – the drama of my three dismissals – so that I can focus on what the book is really supposed to mean.

Commuter Blues

I don’t have a clue who I am, where I am going or what I’ve done. It’s a meandering thing that goes out the door and comes back in. I know something about nothing and that is about all. I am fascinated for a time. People too. There is a moment. And then not. I know it is about nothing, nothing and nothing again and almost take solace in that. Not quite.

The fact is that I hate the look-at-me dissolution of our world, the babies that never grew and think people cares about their childish discoveries. That is where we have lost everything. While the barbarians culled these ones, we’ve decided to let them run the show.

Life on the Commuter Train

There is nothing like coming into the city on the train. It’s all here, inside and out, the buildings thick with cranes, the roads with trucks and plastic, the river wide and dark.

We have forgotten what we never had. We have looked back blind. We have let loose with a broken yarn. We are here, magnanimous and incompetent. Yes, yes, yes. Wait. That is the answer, that sound. It will come again. When we are gone.

The boy across from me eats salted cauliflower sticks, one by one, wiping his fingers on his drooping mask, intent on the next page of The Magician. He pokes his fingers inside again, licking off the last grains, crumples the bag, and holds the book up high, a better filter against the pandemic that anyone knew. The couple beside hold hands, the young man clinging, desperately asking her what she thinks through his tight mask. The girls at the front of the train explode hilariously, talking over one another in a spew, “I felt it touch my lips. That was it. I love weed. I was going to put it into the Pringles. I don’t remember a black bag. I will Venmo you right now. You look so good.”

I think of her, still think that we could make it work. I know it is not real, that she would wander away or lie or deny what she did and said, but still it is the idea of her, the magic of that streaming in, with her in a remarkable circumstance, sucking on her great left breast, marvelous in mass, supple and goose-pimpled, believing in everything, stuck in that, even when she laughs and her friend tells her to turn to the camera for the Tik Tok video.

And then it becomes something else, more wide, more clear, held, the way you might hold a piece of nothing like it was god or truth or love and really believe that. And so yeah, seven dollars for two shots and a mega-can of beer. Fuck me. That’s what it’s all about.