Richard Blanco (from Inaugural Poem One Today): 
President Obama (from Inaugural Day Speech): 
Martin Luther King: (from final speech given on April 3, 1968): 
Richard Blanco (from Inaugural Poem One Today): 
President Obama (from Inaugural Day Speech): 
Martin Luther King: (from final speech given on April 3, 1968): 
Late last night, we decided to visit Christian Marclay’s 24-hour art installation The Clock at the Museum of Modern Art in New York. It was a kind of insomnia, a filmic one, reminding us we were awake when most others weren’t.
The piece chronicles moments in film in a full 24-hour loop, focusing on a specific time, thus operating as a virtual clock. We arrived at 10:45pm and expected to watch shortly thereafter until 2:00am or so; however we were told that it would be a three-hour wait. Unbelieving, we went ahead and were oddly heartened when we found the wait was to be only 2 1/2 hours. 


A woman beside us kept turning on her phone, and I had had enough. I leaned over, “Please stop playing with your phone.” She glared back. “I’m not playing. I’m texting my son.” What was she thinking? She was missing it! These were the witching hours of celluloid, the time of transition, from darkest night, lost in thought, to the realization of the approaching day. This was the time of winding clocks, standing naked by the window and watching emus walk through the bedroom.
The man beside me, a vague mix between Andy Warhol and John Cale in pale sunglasses and what looked like a tea cosy draped on his head, was fully reclined and began to snore; it was 4:00am. 
I pull the album from the shelf. I open it to a random page. An odd figure is there. The elbows are crooked, the posture awkward, everything unsure. It’s me.



The New York Crane is not a rare bird. It can be see everywhere in the city, especially in Downtown Manhattan. 
It is nerving to see Downtown Manhattan resemble a nesting ground for these cranes.
No matter how well these things might be functioning, I must admit to half-expecting one of them to “fall like a dinosaur” at any moment. I look forward to the day when they find another place to roost.
Downtown Manhattan is a noisy neighbourhood, making it hard finding a place to think. For example, while there is a park around the corner….
It is claustrophobic, more akin to a prison yard than a park. City Hall Park offers a beautiful fountain, festively decorated during the winter, for contemplation… 

If not for the fact that the traffic on FDR Drive Overpass is worse.
The World Trade Memorial has potential as a place of solace…
Once the security checkpoints are gone and the construction is complete.
Until then, I will have to accept that the only time silence comes anywhere around here is when a hurricane comes to town. 
I do my work-out in a room full of mirrors. My head bobs up and down over a small blank TV screen, up and down, and I look back at myself staring back, up and down, my face there and then not, and then another room behind that, like this one, but backwards, the back of my head behind that. 


There is a certain schizoid imbalance to writing about distant lands.
My mind is half in the arctic, but when I walk the dog, I know that I am a long way from that.
I think of vast expanses, glacial winds, privation and suffering and remember that I need to get pecorino cheese and a nice Sicilian white for dinner.
One of the greatest thrills in writing is the initial research. The setting for my upcoming novel will likely be in the high arctic. And so I have come across the life and words of Knud Rasmussen (1879-1933), who led six major expeditions over his lifetime, circumnavigating his native Greenland and crossing the Arctic. 
I have had the misfortune of being wronged by a most unpleasant individual for a number of years now. He seemed like a friendly enough person when I first met him at my place of work, four years ago now. He was new to the city and needed help and support. 



The television cameras recently returned to the pier at the foot of Maiden Lane in Manhattan. 




Now I am keeping watch on a pair of delivery bicycles which have been chained to the same spot since the storm.
It will be odd when all of these things are finally removed…by thieves or the city.
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