Kangaroo Court: Attributed to a the hastily carried-out proceedings used to deal with the claim-hopping miners during the Klondike Goldrush. Also attributed to the pouch of a kangaroo, meaning the court is in someone’s pocket. 
Monthly Archives: September 2014
911: A Foundation to Remember
911 is an odd day in New York City. Police and fire fighters are out in full regalia, making the city look strong, more New York. But there is a weight, a weight people in the city have learned to bear. They move quietly, stoic, to their work, everyone already weary. The respect for the moment is intense and religious, as is the fear that something will happen again.
Ben Johnson: The King of Scapegoats
The public’s recent kangaroo court ruling on Ray Rice reminds me of one of the greatest scapegoats in memory: Ben Johnson. 
He arrived at the 1988 Seoul Olympics with a country’s hopes on his back and won the gold medal – annihilating the competition, including hated rival Carl Lewis, and setting another world record. 



Under Video Review: Ray Rice and the National Football League
Ray Rice is guilty of domestic violence. No one, including Mr. Rice, disputes that. His guilt was established weeks ago when a video was released showing Mr. Rice dragging his unconscious fiance out of the elevator.
The National Football League subsequently did a video review and, after Mr. Rice supplicated appropriately, gave him a paltry two game suspension.
However this decision was dramatically reversed today when videotape was released – a reverse angle as it were – showing Mr. Rice actually throw the punch that knocked her out.
The NFL’s reversed decision was radioed down to the field and Mr. Rice was terminated by his team, the Baltimore Ravens, and suspended indefinitely by the league.
The odd thing about this reversal is that the second videotape does not reveal anything not already known; he had admitted to striking her and the videotape had shown her unconscious from that blow. However Mr. Rice’s crime of domestic violence is not in fact at issue here, but rather the perception that the league endorses the crime. 



Miss Stollery
I made Miss Stollery a present for Christmas. I glued a rock onto a piece of wood and hammered in a nail. I was eight years old. It wasn’t art but it was from the heart. I put it into a purple box. I looked at that box, thinking it wasn’t right. It wasn’t what I wanted. I got out a big marker and wrote her name on it. And that wasn’t enough. So I wrote “I love you” on the box. I wrote it big. I LOVE YOU. But it was in red and the box was purple. I couldn’t see it. And so I wrote it again. And again. And again. Until I’d written “I love you” all over it. I looked at it again and freaked out because I didn’t want anyone else to know about how I felt. I crossed one of them out. And that looked stupid. I looked at it again and didn’t think anyone could see the words.That’s really what I thought. And so I took the box to school and placed it under our Grade Two Christmas tree. I looked at it and knew that everyone could see the “I love you’s”. And she saw them too and looked at me like I was a lost kid. I hated that. She was supposed to kiss me. And then she opened it. The rock had fallen off the piece of wood.
Werner Herzog: The Myth of the Man


In his interview at BAM’s Harvey Theater in Brooklyn on Thursday night, Herzog admitted to creating myths in his documentaries; he has often stated that “all filmmakers are liars”.
Herzog does not believe in documenting facts, offering data to support a thesis, but instead creates a nebulous thing from which a greater truth may be derived.
He uses whatever he has – everything from archival images of starving people gazing longingly at a sausage (Little Dieter Needs to Fly) to an albino alligator (Cave of Forgotten Dreams) – to make his film work; it doesn’t matter if the material is factually accurate. He has gone so far (in Lessons of Darkness) as to write down his ideas and attribute them to Blaise Pascal, just for effect:

The collapse of the stellar universe will occur – like creation – in grandiose splendor. – – Werner Herzog
At the end of the talk, Herzog read from his book, Conquest of the Useless, a journal he kept while filming Fitzcarraldo:

I’m the Most Fucking Balanced Person Alive!
We had the misfortune of renting our house to a most demanding and impolite person this August. We were inundated with shrill emails, even before she arrived, that were terribly demanding, often angry, to say nothing of being typo-graphically challenged:
We ve Rented enough houses out here to know what’s acceptable and this is not. Rented us a house where there are several issues and if you would like me to leave a favorable response on VRBO which could make or break your rental business you should fix these problems ASAP. 
Could not use the pool at night due to no lights since we checked in. Had to fight to get CnN & basic cable. There is no gas grill. We also did not expect to have to remove our own trash — this has become like camping. 

As exhausting and frustrating as this person was, the difference was stunningly amusing.
Indeed she was something that is likely becoming common in our bandwidth world: a social media Dr. Jekyll and Ms. Hyde.
“Blue is the Warmest Color”: Just Another Film That Needs an Editor
While Abdellatif Kechiche’s Blue is the Warmest Color received controversial press for its stark portrayal of sexuality, the film’s only real problem is in its self-indulgence. 









