The platform was crowded, people on their way home for work, a woman with her two girls, one holding a half-eaten apple, a man slouched forward over his phone, three young women talking excitedly to each other, a man walking through, all of them waiting with her, on the platform across the tracks, the local and express, some glancing up into the tunnel, others barely aware they were there, the electronic board stuck at three minutes and then flashing orange. 

Tag Archives: New Yorker
“Fish in the Dark” & The Critics Love to Hate
The critics have spoken on Larry David’s Fish in the Dark.
The New York Times: …set postures, lines and deliveries, while throwaway humor has been exaggerated in ways that perversely shrink its impact.
The New Yorker: …sour-voiced schtick…a cynical manipulation of sentimentality and humor.
It’s not as if Larry David made any highfalutin’ claims. “I saw Nora Ephron’s play, Lucky Guy. I just thought, ‘That must be a really interesting thing to do.”
The hate from New York’s papers is perhaps best summed up by the theater critic in Alejandro González Iñárritu’s Birdman: I’m gonna turn in the worst review anyone has ever read and I’m gonna close your play. 
Luckily, the real-life critics aren’t having so much luck. Larry David’s play has broken box office records and been greeted by constant laughs and ovations every night. 
Pussy Riot Spring
Harmony Korine’s Spring Breakers is pretty awful, little more than a terrible rap video with loops of meaningless dialogue, sensational imagery and an off-key – even insulting – reference to the imprisoned Russian group Pussy Riot. 

