Form of Rejection

I have been sending out queries and writing samples to literary agents for many years and received the same form responses in a variety of phrasings: It’s not quite what I’m looking for at this time… I have to be particularly selective about which projects I represent…I can only responsibly take on a few new clients each year…I’m not the best fit for this project at this time… I’m not the best match…I’m not the right agent… I’m going to have to step aside…will be stepping back from consideration… I’ll be regretfully stepping aside.

Best wishes in your search for representation. Wishing you the very best of luck in your publishing endeavors. Please accept my very best wishes for your writing success. Best of luck with your future queries. I wish you the best of luck. I wish you all the best in your search for representation and in your writing career. We’re rooting for you! Until then, you have my…Very best.

Along with these snippets of clearly intended prose, the replies are sent from a “Do-Not-Reply-To-This-Email Address”. After 35 years, you’d think I’d get the message.

My “Hail Mary” Complex

I was genuinely excited to read Andy Weir’s highly-acclaimed Project Hail Mary, hoping for inspiration on improving the writing, structure and marketability of my own speculative work, The Cx Trilogy.

My positive outlook waned after a few pages. It wasn’t just the undeveloped writing nor the caricatured characters – much of which seem at first draft level – but more the lack of an engaging narrative. While the premise was compelling – why is the sun getting dimmer and how can this be stopped? – there was little development of the protagonist and his journey beyond a barrage of scientific details.

I’ll cite examples to mitigate your opinon of me as a bitter unpublished author. Below that is the room I woke up in. The one with my dead friends. I sniffle and wipe a tear away. Initially, I thought this was intended as sarcasm, but I soon realized that this was a genuine expression of Ryland Grace’s emotion.

Each of them kind of look like a beetle. Each beetle has a name up top: “John”, “Paul”, “George” and “Ringo”. I’m on a suicide mission. John, Paul, George and Ringo get to go home, but my long and winding road ends here. This sense of humor permeates the book.

My students didn’t swear at me. Their squabbles were usually resolved within a few minutes, either by a teacher-enforced handshake or detention. And somewhat selfish but here it is: They looked up to me. I missed that respect. Mr. Weir has clearly never spent a day as a teacher in his life.

I could go on, but why bury myself even deeper? Mr. Weir has achieved incredible commercial success and knows how to market his work, while I’m an unpublished failure who teaches high school…which is what makes this difficult to process.

I genuinely cannot understand what it is about Mr. Weir’s work that is compelling to such a large audience. And what it is about my own writing that seems destined to never get beyond the literary agent’s automatic reply: Unfortunately, your project does not sound like a fit for me at this time, and so I will have to pass. Boo hoo. Poor me.

My Bad Chance

A number of years back, an influential agent took interest in novel, My Bad Side. He had his reader review the opening 50 pages and gave me advice on changes to make, which I did. I received a follow-up on moving the back story to a later stage. I questioned this idea, explaining the benefit of where it was. That was it. I was out.

A year or so later, I pitched him my new book, Anori. “Not for me.” The one time an agent had taken an interest in my work, a one-night stand as it was, I hadn’t done as I was told and was cancelled. I’ve thought back to this moment often and wondered what might have happened if I had complied. What success would I have reaped? If only, if only…

Today, hundreds of indifferent rejection emails later, I feel something coming, some long-awaited breakthrough, not with them as much as me. I’ve made it somewhere, not a revelation as much as a state of mind, I suppose. Probably the booze but more of a clean sure hike up, getting to where I can see where I am. Which is here. Nowhere else but that.

My latest opus, The Vanishing Pill, will be ready in the spring.