The Marquis de Sade isn’t much of a writer; his descriptions are tedious, his dialogue static, his narrative almost non-existent and his prose little more than a mask for his sadistic tendencies. His perverse point of view however can be surprisingly accurate, in spite of his delight in the suffering of others, and is relentlessly damning.
Justine, the eponymous character of his novel, never gives up on her fight for virtue, this despite being subjected to the starling perversions of libertines across France – systematic rape, torture, blood-letting and auto-strangulation – and their passionate arguments. States the Compte de Gernande: The happiness that the two sexes may find in each other can be found by one through blind obedience and by the other through the greatest possible domination. If it were not Nature’s intention that one of the sexes should tyrannize the other, would she not have created them of equal strength? (176) Says Monsieur Roland: The poor are part of Nature’s plan. In creating men of unequal strength, she has convinced us of her wish that this inequality should be preserved despite the changes our civilization would bring her laws. It would be going against Nature’s wishes to disturb the equilibrium that is the basis of her sublime organization, to work towards an equality that would be dangerous for society, to encourage indolence and sloth, to teach the poor to steal from the rich when the rich refuse to help. (216) Says Baroness Dubois: Our laws wish in vain to restore order and bring men back to virtue. Too unjust to achieve this, too inadequate to succeed, they will take people off the beaten track for a moment, but they will never get them to leave it. When it is in the general interest for men to be corrupt, anyone who is unwilling to become so with the rest will therefore be pushing against the general interest. (220)
Monsieur Saint-Florent concludes: The weak must give in to the desires of the strongest or else fall victim to their wickedness. (248)
A small group led by Peter Kerrivan walked out of a settlement in Newfoundland some 200 years ago and vanished into the barrens. They were never heard from again, transforming them into myth. It’s an image I use near the end of my bad side.The streetlights came in above the band, Kerrivan’s Men, the green and red light across the fishing nets and buoys, onto the pews in the back. Fitz returned with our drinks.
“Who’s Kerrivan?” I asked.
“Kerrivan led a group of fellahs off with him into the barrens,” he explained. “This was some 200 years back. Didn’t like how he was being treated by the Royal Navy – the English always hated the Irish, yeah? – and up they went into the barrens, lived off the land. Called themselves the Masterless Men.”
“Never seen again,” Tommy added.
“Charlie swears he’s in the line, his great great granddad the man himself.”
“Probably another great in there at that.”
“Maybe another one, yeah.”
“What do you mean they lived in the middle of nowhere?” I asked.
“Down there on the peninsula, in the rocks and bog, nothing but low trees and wind.”“For how long?”
“No one knows,” Tommy replied. “Generations.”
“Maybe they died,” I replied.
“Some would say that. The English would. Not me. I think they waited to be forgotten and then came back in.”
Cheryl Strayed’s auto-biography Wild is a painfully honest account of how she processed the death of her mother and confronted her own shattered sense of self. Using her remarkable solo hike on the Pacific Coast Trail (PCT) as the central image, she confronts her fears, loss and short-comings with a relentlessly detailed and direct manner. I dreamed of my mother incessantly. In the dreams I was always with her when she died…I tied her to a tree in our front yard and poured gasoline over her head, then lit her on fire.
Strayed’s honesty is striking, tearing herself apart, not only reflecting on her loss but also her isolation and her sexuality. My hands running slowly up into his curly hair and down to his brawny back, holding his gorgeous male body against mine. There hasn’t been a time that I’ve done that that I haven’t remembered all over again how much I love men. Because of the consistently self-reflective approach, Strayed’s book does read long, conveying the relentless aspect of the trail she hiked and the problems she faced with perhaps excessive detail.
For a glimpse into the unforgiving style – and soul – of Ms. Strayed, her autobiographical essay, The Love of My Lifeis a stunning piece.
Also of note, Reese Witherspoon has optioned Wild, aiming to use it as a vehicle for herself one day. We’ll see.
Many years ago, I was keen to pursue creative writing at the graduate level. I had been out of college for a few years and just completed the first draft of a novel, The Sacred Whore. The genesis of the book had come to me in a flash – a gang of prostitutes kidnap a basketball team so that they can air their views on the declining morality of America – and one of the characters, Chantal, had fought against being removed from the narrative after I had done exactly that. I went back and realized the story was all about her; she was an epiphany. Flawed as it was, the book did have moments – to say nothing of Chantal – and I was enthusiastic at the prospect of work-shopping my prose.
And then I met Ben, a friend of a friend, who was registered in such a program. Ben waxed not-so-eloquently about his attempt to re-invent the novel and went on and on about that. I couldn’t get away from him fast and far enough and promised myself I would never be stuck in such conversations again.
And so instead of pursuing my work in school, I planted trees in northern British Columbia, bicycled across France and Spain, edited closed captions for sitcoms and soft-core porn, did the biking again, coached pee-wee hockey, taught high school English, started a film festival and wrote copy about toilets, all of that to buy time to write. And write I did – in Paris, Dublin, Toronto, Vancouver and New York, in apartments and houses, notes in the post office, on menus and tickets, in transit, in journals, on computer after computer, saving copies, emailing myself additions to text – putting everything together, always in isolation. I have a clear sense of who I am as I write. It’s just me and the words coming out of my head, a long wavering stream that I sometimes catch and can feel crystalline within, almost exactly like that. My writing grants me understanding, gives moments where life isn’t just chaos and missteps. It allows me to consider and process, search through thoughts and events, my reactions and those of others, their expressions, and find the words that make some sense. The book is my focal point – the concept, the research, the going back and starting again, a character suddenly there, the honing and culling, the letting go and bringing to an end.
Advertisers want to give us answers, all of our confusion beaten into sell-able pulp.
Christian Dior selling purses.
Movie trailers are the same.
Baz Luhrman’s “The Great Gatsby”
All of it so simple and pornographically direct. The failure is in their intent, attempting to answer everything, give our lives a clear, cohesive narrative, when it is just the opposite.
Spike Jonze’s “Being John Malkovich”
Real questions don’t do well under the spotlight; they wilt and are never clear. Sudden and enigmatic, they only offer a glimpse, making us stop and think, “Wait. What was that?”
5. Being There (1979, Hal Ashby) Chance watches cartoons in a limousine.4. The Thin Red Line (1998, Terrence Malick): American soldiers walk by a local in Guadalcanal.
3. Punch Drunk Love (2002, Paul Thomas Anderson): A car crashes in an empty street.2. The Graduate (1967, Mike Nichols): True love is realized…and then what?1. Aguirre, Wrath of God (1972, Werner Herzog): In the end, only monkeys are left for the revolution.
The people of Newtown, Connecticut are mad.It’s almost as if they expect the media to address issues like gun control instead of mainlining our catharsis.
More importantly, what’s this “media vultures” spin? Is the media supposed to be something alien? Do they live in a shadowy compound?Don’t the people of Newtown understand that we can only read so much about lobbying for gun control? I mean, it’s just like all of this talk about my privacy being invaded. Instead of going on about what this guy Snowden thinks, can’t TMZ just catch him drunk in Red Square?
In the meantime, the people of Newtown need to stay focused on news that matters:
And remember Edward R. Murrow’s famous words: “Television isn’t the classroom of the world; it’s the marketplace.” That wasn’t a bad guess for a guy who had never posted or sexted, not understanding our basic need for the simple things.Life, liberty and the pursuit of more soma.
Often I get stuck. I don’t know how the room is – the stairway or carpet, the door – or what a character sees – the wallpaper, the light from the kitchen – or what she thinks – a dull pain in her calf, a memory of a first-grade teacher – and sit and stare, trying to think it through. Music gets me out. William Basinski and offthesky never fail. William Basinki’s Disintegration Loops – literally the sound of a loop of electronic music slowly disintegrating into other sounds – rises and falls, thick like an ocean.
The front door has been left open, only just, the chain casting a long jeweled shadow on the trim.There is an old wooden banister on the stairs; a narrow carpet runs up it, rolling vines and roots, worn blue, a corner of it bunched at the bottom. The third-last step squeaks. Jason Corder’s musical project offthesky is more immediate, starting engines and building long tenuous chords, moving relentlessly to the precipice.
She has her keys, holding them low in her hand. She has forgotten something. She waits but can’t remember. She opened the door. Yes, she just did that. And she came in. She needed to…she can’t remember. She goes up the stairs slowly, pausing on the third step.And remembered, the moment, only ten minutes ago, that she had stepped off the pavement, her feet on the cracked dirt, the leaves and her shadow there, all of the water now gone, from the river, the path and benches immersed, the stillness, and now back. And she was here. She had liked that.*This blog written to William Basinski’s dlp 1.1 & offthesky’s lossless
This just in: America’s great holiday is a sham.While the advertising world spins Thanksgiving as a holiday of generosity and love, it has devolved into something else.
Wednesday: Go home.
Thursday: Eat too much and then eat more. Friday: Get up incredibly early and engage in contact shopping. Saturday: Look at your things. Sunday: Go home with your new things.
Monday: Buy more things on-line.
Tuesday: Give loose change to someone with nothing.
Although they say it is not a good year for tartufo, and it is late in the season, we nevertheless decided that we would have them this weekend.Tartufo (truffles) are the fruiting body of a subterranean fungus in northern Italy and they are very expensive because they are hard to find. Thinly sliced onto fresh pasta with butter or a fried egg, they have a pungent odor and a taste that lingers.And there was a restaurant beside a castle, outside the town of Alba, which offered them.
But then the chef appeared and offered his profound apologies, which I found out later were most insincere. It was all a masquerade. They were trufffe-less. We would have to look elsewhere.We continued into the hills the next morning, where the weather began to change.We found a market in Alba, and although concerned about the quality of the produce, negotiated and purchased. We drove through the storm back home to Milan.Preparations were made. And distractions avoided.At long last the tartufo was ready.And it was very good.